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Don Quixote_ Translation by Edith Grossman (HarperCollins) - Miguel De Cervantes Saavedra [253]

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plays as they ought to be because, as I have said, any of them can accomplish what they are intended to accomplish. To which I would respond that this purpose would be achieved with unquestionably greater success by good plays rather than bad; for having heard an artful and well-constructed play, the audience would come out amused by the comic portions, instructed by the serious, marveling at the action, enlightened by the arguments, forewarned by the falsehoods, made wiser by the examples, angered at vice, enamored of virtue: a good play can awaken all these responses in the spirit of its audience, no matter how slow and unsophisticated it may be, and it is absolutely impossible for a play with all these qualities not to please, entertain, satisfy, and delight much more than one that lacks them, as do those ordinarily performed these days. The poets who compose them are not responsible for this, because there are some who know very well the errors they are committing, and know extremely well what they ought to do, but since plays have become salable merchandise, they say, and in this they speak the truth, the companies will not buy them if they are not of a certain type, and so the poet attempts to accommodate the requests of the companies that pay him for his work. The truth of this can be seen in the infinite number of plays composed by one of the most felicitous minds in these kingdoms, which display so much grace and so much charm, such elegant verses and such fine language, such grave thoughts and so eloquent and lofty a style, that his fame is known throughout the world;8 because these works attempt to accommodate the taste of the theater companies, not all of them have reached, though some have, the necessary degree of perfection. Other poets compose their works so carelessly that after they have been performed, the actors have to flee and go into hiding, fearful that they will be punished, as they often have been, for putting on pieces prejudicial to certain kings and offensive to certain families.

All these difficulties, and many others I will not mention, would cease if there were at court an intelligent and judicious person who would examine each play before it was performed, not only those produced in the capital, but also those put on anywhere in Spain, and without his approval, stamp, and signature, no magistrate anywhere would permit a play to be performed; in this fashion, the players would be careful to send their plays to court, and then they could perform them in safety, and those who write them would consider what they were doing with more thought and care, knowing that their works would have to undergo a rigorous examination by one who understands the art; in this way good plays would be written and their purposes achieved: the entertainment of the common people, the good opinion of creative minds in Spain, the legitimate interests and safety of the actors, and the avoidance of the need to punish them.

And if another official, or this same person, were charged with examining the new books of chivalry that are written, no doubt some with the perfections your grace has mentioned would be published, thereby enriching our language with the pleasing and precious treasure of eloquence, and allowing some of the old books to be obscured by the light of the new ones that would provide virtuous entertainment, not only to the idle but to those who are most occupied, for the bow cannot always be pulled taut, and it is not in the nature of human frailty to endure without honest recreation.”

The canon and the priest had reached this point in their conversation when the barber rode up to them and said to the priest:

“This, Señor Licentiate, is the place I mentioned, where we can rest and the oxen can find abundant fresh grass.”

“I agree,” responded the priest.

He told his companion what they planned to do, and the canon decided to remain with them, for he was drawn by the sight of the beautiful valley that lay before them. In order to enjoy the valley and the conversation of the priest, for whom he had developed

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