Dora Thorne [27]
pencils away, and Dora would cling around his neck and ask him if he would not have been happier with a cleverer wife.
"No, a thousand times, no," he would say; he loved Dora better in her artless simplicity than he could have loved the cleverest woman in the world.
"And you are quite sure," said Dora, "that you will never repent marrying me?"
"No, again," was the reply. "You are the crowning joy of my life."
It was pleasant to sit amid the oleanders and myrtles, reading the great poems of the world to Dora. Even if she did not understand them, her face lighted with pleasure as the grand words came from Ronald's lips. It was pleasant, too, to sit on the banks of the Arno, watching the blue waters gleaming in the sun. Dora was at home there. She would say little of books, of pictures, or music; but she could talk of beautiful Nature, and never tire. She knew the changing colors of the sky, the varied hues of the waves, the different voices of the wind, the songs of the birds. All these had a separate and distinct meaning for her.
Ronald could not teach her much more. She liked the beautiful poems he read, but never could remember who had written them. She forgot the names of great authors, or mixed them up so terribly that Ronald, in despair, told her it would be better not to talk of books just yet--not until she was more familiar with them.
But he soon found out that Dora could not read for many minutes together. She would open her book, and make a desperate attempt; then her dark eyes would wander away to the distant mountains, or to the glistening river. She could never read while the sun shone or the birds sang.
Seeing that, Ronald gave up all attempts at literature in the daytime; when the lamps were lighted in the evening, and the fair face of Nature was shut out, he tried again, and succeeded for ten minutes; then Dora's eyes drooped, the white lids with their jetty fringe closed; and with great dismay he found that over the masterpieces of the world Dora had fallen asleep.
Two long, bright years had passed away before Ronald began to perceive that he could educate his pretty young wife no further. She was a strange mixture of ignorance and uncultivated poetry. She could speak well; her voice was sweet, her accent, caught from him, good; alone he never noticed any deficiencies, but if he met an English friend in Florence and brought him home to dine, then Ronald began to wish that Dora would leave off blushing and grow less shy, that she could talk a little more, and that he might lose all fear of her making some terrible blunder.
The third year of their married life dawned; Dora was just twenty, and Ronald twenty-three. There had been no rejoicing when he had attained his majority; it passed over unnoticed and unmarked. News came to them from England, letters from the little farm in Kent, telling of simple home intelligence, and letters from Lady Earle, always sad and stained with tears. She had no good news to tell them. Lord Earle was well, but he would never allow his son's name to be mentioned before him, and she longed to see her son. In all her letters Lady Earle said: "Give my love to Dora."
In this, the third year of his married life, Ronald began to feel the pressure of poverty. His income was not more than three hundred a year. To Dora this seemed boundless riches; but the heir of Earlescourt had spent more in dress and cigars. Now debts began to press upon him, writing home he knew was useless. He would not ask Lady Earle, although he knew that she would have parted with the last jewel in her case for him.
Ronald gave himself up to the study of painting. A pretty little studio was built, and Dora spent long hours in admiring both her husband and his work. He gave promise of being some day a good artist--not a genius. The world would never rave about his pictures; but, in time, he would be a conscientious, painstaking artist. Among his small coterie of friends some approved, others laughed.
"Why not go to the Jews?" asked fashionable young men. "Earlescourt
"No, a thousand times, no," he would say; he loved Dora better in her artless simplicity than he could have loved the cleverest woman in the world.
"And you are quite sure," said Dora, "that you will never repent marrying me?"
"No, again," was the reply. "You are the crowning joy of my life."
It was pleasant to sit amid the oleanders and myrtles, reading the great poems of the world to Dora. Even if she did not understand them, her face lighted with pleasure as the grand words came from Ronald's lips. It was pleasant, too, to sit on the banks of the Arno, watching the blue waters gleaming in the sun. Dora was at home there. She would say little of books, of pictures, or music; but she could talk of beautiful Nature, and never tire. She knew the changing colors of the sky, the varied hues of the waves, the different voices of the wind, the songs of the birds. All these had a separate and distinct meaning for her.
Ronald could not teach her much more. She liked the beautiful poems he read, but never could remember who had written them. She forgot the names of great authors, or mixed them up so terribly that Ronald, in despair, told her it would be better not to talk of books just yet--not until she was more familiar with them.
But he soon found out that Dora could not read for many minutes together. She would open her book, and make a desperate attempt; then her dark eyes would wander away to the distant mountains, or to the glistening river. She could never read while the sun shone or the birds sang.
Seeing that, Ronald gave up all attempts at literature in the daytime; when the lamps were lighted in the evening, and the fair face of Nature was shut out, he tried again, and succeeded for ten minutes; then Dora's eyes drooped, the white lids with their jetty fringe closed; and with great dismay he found that over the masterpieces of the world Dora had fallen asleep.
Two long, bright years had passed away before Ronald began to perceive that he could educate his pretty young wife no further. She was a strange mixture of ignorance and uncultivated poetry. She could speak well; her voice was sweet, her accent, caught from him, good; alone he never noticed any deficiencies, but if he met an English friend in Florence and brought him home to dine, then Ronald began to wish that Dora would leave off blushing and grow less shy, that she could talk a little more, and that he might lose all fear of her making some terrible blunder.
The third year of their married life dawned; Dora was just twenty, and Ronald twenty-three. There had been no rejoicing when he had attained his majority; it passed over unnoticed and unmarked. News came to them from England, letters from the little farm in Kent, telling of simple home intelligence, and letters from Lady Earle, always sad and stained with tears. She had no good news to tell them. Lord Earle was well, but he would never allow his son's name to be mentioned before him, and she longed to see her son. In all her letters Lady Earle said: "Give my love to Dora."
In this, the third year of his married life, Ronald began to feel the pressure of poverty. His income was not more than three hundred a year. To Dora this seemed boundless riches; but the heir of Earlescourt had spent more in dress and cigars. Now debts began to press upon him, writing home he knew was useless. He would not ask Lady Earle, although he knew that she would have parted with the last jewel in her case for him.
Ronald gave himself up to the study of painting. A pretty little studio was built, and Dora spent long hours in admiring both her husband and his work. He gave promise of being some day a good artist--not a genius. The world would never rave about his pictures; but, in time, he would be a conscientious, painstaking artist. Among his small coterie of friends some approved, others laughed.
"Why not go to the Jews?" asked fashionable young men. "Earlescourt