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with footage shot on communes, at fairs, and on streets in China fifty-three years ago. At the UCLA research library, I found a series called Communist China, part of the Communist China Problem Research Series, published by the Union Research Institute in Hong Kong. The yearly volumes contain typewritten essays on China’s relations with so-called imperialist countries, agriculture, steel, the arts, “natural calamities on the mainland,” and issues concerning returned Overseas Chinese—all of which were invaluable to me. (At UCLA, I also found Chinese Stories from the Fifties, Chinese Women Liberated, Chinese Women in the Great Leap Forward, and Women of China. These books and pamphlets revealed precious details and popular stories about women’s lives in China during this period.) On the Internet, I came across Joseph Rupp’s website on his bound-feet project. In 1985, he went into the Chinese countryside to interview and photograph bound-footed women. These stories, particularly those of the women who were required to unbind their feet after Mao came to power, are heart-wrenching and helped to inform what happened to Yong.

Bob Loomis, my editor at Random House, is kind, wise, supportive, and funny too. I want to thank everyone else at Random House as well, in particular Gina Centrello and Susan Kamil for their thoughtful questions and suggestions. Once again, my agent, Sandy Dijkstra, and the wonderful women in her office have labored tirelessly on my behalf. Larry Sells, Vivian Craig, and Meiling Moore have helped me in all kinds of surprising and interesting ways. Millie Saltsman and I have shared some interesting moments this year. I thank her for her wise words, many of which found their way into these pages. Sasha Stone looks after my website with aplomb and good cheer, while Pattie Williams takes the best photographs.

It hasn’t escaped my notice that my books are often inhabited by people who don’t get along with each other and who fail each other in numerous ways. This strikes me as rather odd when my own family life is so joyous. I could not write the books I do without my family’s encouragement. My mother, Carolyn See, is a constant inspiration. My sister, Clara Sturak, offers a critical eye with love and tenderness. My sons, Christopher and Alexander, are always sweet. I now have a beautiful and brilliant daughter-in-law, Elizabeth, who has made me the happiest mother-in-law on earth. Finally, my husband, Richard Kendall, keeps me calm and balanced, while reminding me never to give up or waver from my vision. You are all the best, and I love you all deeply.

ABOUT THE AUTHOR

LISA SEE is the New York Times best-selling author of Shanghai Girls, Peony in Love, Snow Flower and the Secret Fan (which has been adapted into a film), Flower Net (an Edgar Award nominee), The Interior, and Dragon Bones, as well as the critically acclaimed memoir On Gold Mountain. The Organization of Chinese American Women named her the 2001 National Woman of the Year. She lives in Los Angeles.

www.lisasee.com

Lisa See is available for select readings and lectures. To inquire about a possible appearance, please visit www.rhspeakers.com or call 212-572-2013.