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Dreams of Joy - Lisa See [72]

By Root 402 0
hat pulled down over my hair and ears and a scarf tied around my neck and up to my nose.

I turn and follow a safe distance behind her. A part of me wants to run up to her and take her into my arms. But I don’t do that. I just worked all day, and I look like the paper collector I am. I can’t let her see me like this. I can’t let Z.G. see me like this either. That’s right. I’ve come all this way to find my daughter, and when I see her I’m filled with vanity. How will Z.G. look at me after all this time? For years, I’ve known he existed somewhere in China. I’d never believed I’d encounter him again, but seeing Joy means that I’m about to see Z.G. again too. I have an urge to hide behind the bush across from his house, watch them through the windows as they move in the rooms, and wait until I can get my thoughts and emotions together before knocking on the door, but I can’t do that either. Z.G.’s servants know about me. I don’t want Joy to hear about me from them. But it’s more than that. I suddenly don’t know what to say to her.

We reach Huaihai Road. She turns right, walking toward the Whangpoo River. I know what I want to say—you’re coming home with me right now—but I also know that would be absolutely wrong. I’ve been a mother for nineteen years, and I know a few things about motherhood, and my daughter. I’m disappointed in her for being so rash and stupid as to come here, but as she passed me she didn’t look sad or disheartened. Far from it. So, what tactic do we, as mothers, use with our children when we know they’re going to make, or have already made, a terrible mistake? We accept blame. In my case, I can legitimately accept some blame for having lied to her all those years. I’ll tell her about the regret I feel for having failed her. And then, and then … Please come home! That method isn’t going to work either.

I stop walking, watch my daughter disappear into the crowd, and then make my way to a bus stop. When I get home, I bathe, pin my hair into a bun at the nape of my neck, put on some makeup, and go to the closet. I stare at my clothes, all of which are mementos of the past. I see a fox stole. I see my fur-lined black brocade coat, the twin to the one Joy was wearing, the one I wanted so badly, the one Baba tried to make me give May. I pull out a dress Madame Garnett made for me—dark green wool crepe cut on the bias with jet buttons sewn at the hips as decoration. Twenty years ago, Mama said it was too sophisticated for me; now I think it will be just right—modest, a little old-fashioned, and the color will accentuate my black hair. Z.G. might like to see me in the brocade coat, but I can’t go that far. I tell myself I don’t care how I look after twenty years, but I do, of course. I tell myself that no woman should allow a man to see the scars on her breast or in her heart.

I want to do something to remind Joy of home and that she’s been loved and missed. I’ll bring a present. (What kind of mother would I be if I forgot her at Christmas?) I take an old perfume bottle off the vanity and wrap it in one of my silk scarves. I bundle back up in my padded jacket and put the gift in my pocket. I pull on my work gloves, but I throw a red scarf made from baby cashmere from my old life around my neck. It’s the first time I’ve worn something this nice on the street, but most of it is hidden under the jacket.

I take a bus back to Z.G.’s neighborhood, walk to his house, and ring the bell. One of the servants answers the door. She nods, as though she’s been expecting me, and shows me into the salon. I take off my jacket and gloves. Z.G. enters a few minutes later. I think he’s still an extraordinarily handsome man, and I’m hoping he’ll have a similar reaction to me, but the first thing he does is look over my shoulder to see if May is with me. In an effort to keep myself composed and not betray a hint of disappointment, I adjust my jade bracelet on my wrist.

“My servants said you were here in the city,” he says, and his voice cascades over me like water over rocks. A Rabbit is always gracious and soft-spoken.

“I’ve come

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