Drums of Autumn - Diana Gabaldon [119]
If Jamie had wanted a diversion, I thought muzzily, he couldn’t have asked for better. Whatever had been going to happen had been effectively forestalled. But what was it—and for how long could it be prevented? I shook my head to clear it—with indifferent results—and went in to see my patient.
Myers was still blissfully and deeply asleep, breathing in long, slow exhalations that made the cotton bed-drapes quiver. The slave Betty nodded at me, smiling.
“He’s fine, Mrs. Claire,” she whispered. “Couldn’t wake that man with a gun, I don’t think.”
I didn’t need to check his heart; his head was turned, and I could see the huge vein that ran down the side of his neck, throbbing with a pulse slow and heavy as a hammer blow. I touched him, feeling his skin cool and damp. No fever, no signs of shock. The whole of his enormous person radiated peace and well-being.
“How is he?” Had I been less drunk, I would have been startled. As it was, I merely swayed round on my axis, to find Jamie standing behind me.
“He’s fine,” I said. “You couldn’t kill him with a cannon. Like you,” I said, and found myself leaning against him, arms around his waist, my flushed face buried in the cool folds of his linen. “Indestructible.”
He kissed the top of my head, smoothing back a few curls that had escaped from their dressing during the operation.
“Ye did well, Sassenach,” he whispered. “Verra well, bonnie lassie.”
He smelt of wine and candlewax, of herbs and Highland wool. I slid my hands lower, feeling the curves of his buttocks, smooth and free under his kilt. He moved slightly, the length of his thigh pressing briefly against mine.
“Ye need a bit of air, Sassenach—and we must talk. Can ye leave him for a time?”
I glanced at the bed and its stertorous occupant.
“Yes. As long as Betty will keep sitting with him to be sure he doesn’t vomit in his sleep and choke?” I glanced at the slave, who looked surprised that I should ask, but nodded willingly.
“Meet me by the herb garden—and take care not to fall down the stairs and break your neck, aye?” Lifting my chin, he kissed me quick and deep, and left me dizzy, feeling at once more sober and more drunk than before.
13
AN EXAMINATION OF CONSCIENCE
Something dark landed on the path in front of us with a soft plop! and I stopped abruptly, clutching his arm.
“Frog,” Jamie said, unperturbed. “D’ye hear them singing?”
“Singing” wasn’t the word that would have struck me about the chorus of croaks and grunts from the reedbeds near the river. On the other hand, Jamie was tone deaf, and made no bones about it.
He extended the toe of his shoe and gently prodded the squat dark shape.
“ ‘Brekekekex, ko-ax, ko-ax,’ ” he quoted. “ ‘Brekekekex, ko-ax!’ ” The shape hopped away and disappeared into the moist plants by the path.
“I always knew you had a gift for tongues,” I said, amused. “Didn’t know you spoke frog, though.”
“Well, I’m no ways fluent,” he said modestly. “Though I’ve a fine accent, and I say it myself.”
I laughed, and he squeezed my hand and let it go. The brief spark of the joke faded, failing to kindle conversation, and we walked on, physically together but miles apart in thought.
I should have been exhausted, but adrenaline was still coursing through my veins. I felt the exultation that comes with the completion of a successful bit of surgery, to say nothing of a little standard alcoholic intoxication. The effect of it all was to make me slightly wobbly on my pins, but with an acute and vivid awareness of everything around me.
There was an ornamental seat under the trees near the dock, and it was to this that Jamie led me, into the shadows. He sank onto the marble bench with a deep sigh, reminding me that I wasn’t the only one for whom it had been an eventful evening.
I looked around with exaggerated attention, then sat down beside him.
“We’re alone and unobserved,” I said. “Do you want to tell me what the hell is going on now?”
“Oh, aye.