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Drums of Autumn - Diana Gabaldon [2]

By Root 3321 0
The Great Art O’ Love

Chapter 25 - Enter a Serpent

Chapter 26 - Plague and Pestilence

Chapter 27 - Trout Fishing in America

Chapter 28 - Heated Conversation

Chapter 29 - Charnel Houses

Part Eight - Beaucoup

Chapter 30 - Into Thin Air

Chapter 31 - Return to Inverness

Chapter 32 - Grimoire

Chapter 33 - Midsummer’s Eve

Chapter 34 - Lallybroch

Chapter 35 - Bon Voyage

Chapter 36 - You can’t Go Home Again

Chapter 37 - Gloriana

Chapter 38 - For Those in Peril on the Sea

Chapter 39 - A Gambling Man

Part Nine - Passionnément

Chapter 40 - Virgin Sacrifice

Chapter 41 - Journey’s End

Part Ten - Impaired Relations

Chapter 42 - Moonlight

Chapter 43 - Whisky in the Jar

Chapter 44 - Three-Cornered Conversation

Chapter 45 - Fifty-Fifty

Chapter 46 - Comes a Stranger

Chapter 47 - A Father’s Song

Chapter 48 - Away in a Manger

Chapter 49 - Choices

Chapter 50 - In Which All is Revealed

Part Eleven - Pas du Tout

Chapter 51 - Betrayal

Chapter 52 - Desertion

Chapter 53 - Blame

Chapter 54 - Captivity I

Chapter 55 - Captivity II

Chapter 56 - Confessions of the Flesh

Chapter 57 - A Shattered Smile

Chapter 58 - Lord John Returns

Chapter 59 - Blackmail

Chapter 60 - Trial by Fire

Chapter 61 - The Office of a Priest

Chapter 62 - Three-Thirds of a Ghost

Part Twelve - Je T’Aime

Chapter 63 - Forgiveness

Chapter 64 - Bottom of the Ninth

Chapter 65 - Return to Fraser’s Ridge

Chapter 66 - Child of My Blood

Chapter 67 - The Toss of a Coin

Chapter 68 - Domestic Bliss

Chapter 69 - Jeremiah

Chapter 70 - The Gathering

Chapter 71 - Circle’s Close

PROLOGUE

I’ve never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother’s eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me.

No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave?

Still less could I be afraid of those ghosts who touch my thoughts in passing. Any library is filled with them. I can take a book from dusty shelves, and be haunted by the thoughts of one long dead, still lively as ever in their winding sheet of words.

Of course it isn’t these homely and accustomed ghosts that trouble sleep and curdle wakefulness. Look back, hold a torch to light the recesses of the dark. Listen to the footsteps that echo behind, when you walk alone.

All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our ghosts; we haunt ourselves.

Each ghost comes unbidden from the misty grounds of dream and silence.

Our rational minds say, “No, it isn’t.”

But another part, an older part, echoes always softly in the dark, “Yes, but it could be.”

We come and go from mystery and, in between, we try to forget. But a breeze passing in a still room stirs my hair now and then in soft affection. I think it is my mother.

PART ONE


O Brave New World

1

A HANGING IN EDEN

Charleston, June 1767

I heard the drums long before they came in sight. The beating echoed in the pit of my stomach, as though I too were hollow. The sound traveled through the crowd, a harsh military rhythm meant to be heard over speech or gunfire. I saw heads turn as the people fell silent, looking up the stretch of East Bay Street, where it ran from the half-built skeleton of the new Customs House toward White Point Gardens.

It was a hot day, even for Charleston in June. The best places were on the seawall, where the air moved; here below, it was like being roasted alive. My shift was soaked through, and the cotton bodice clung between my breasts. I wiped my face for the tenth time in as many minutes and lifted the heavy coil of my hair, hoping vainly for a cooling breeze upon my neck.

I was morbidly aware of necks at the moment. Unobtrusively, I put my hand up

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