Drums of Autumn - Diana Gabaldon [45]
“You have to teach me to do that.” She bounced on her toes, leaning toward him.
“Do what?”
“Roll your r’s like that.” She puckered her brows and made an earnest attempt, sounding like a motorboat in low gear.
“Verra nice,” he said, trying not to laugh. “Keep it up. Prractice makes perfect.”
“Well, did you bring your guitar, at least?” She stood on tiptoes, trying to look behind him. “Or that groovy drum?”
“It’s in the car,” Brianna said, putting away her keys as she came up beside Roger. “We’re going to the airport from here.”
“Oh, too bad; I thought we could hang around and have a hootenanny afterward, to celebrate. Do you know ‘This Land Is Your Land,’ Roger? Or are you more into protest songs? But I guess you wouldn’t be, since you’re English—oops, I mean Scotch. You guys don’t have anything to protest about, do you?”
Brianna gave her friend a look of mild exasperation. “Where’s Uncle Joe?”
“In the living room, kicking the TV,” Gayle said. “Shall I entertain Roger while you find him?” She linked one arm cosily through Roger’s, batting her eyelashes.
“We got half the doggone MIT College of Engineering here, and nobody who can fix a doggone television?” Dr. Joseph Abernathy glared accusingly at the clusters of young people scattered around his living room.
“That’s electrical engineering, Pop,” his son told him loftily. “We’re all mechanical engineers. Ask a mechanical engineer to fix your color TV, that’s like asking an Ob-Gyn to look at the sore on your di—ow!”
“Oh, sorry,” said his father, peering blandly over gold-rimmed glasses. “That your foot, Lenny?”
Lenny hopped storklike around the room to general laughter, clutching one large sneaker-clad foot in exaggerated agony.
“Bree, honey!” The doctor spotted her and abandoned the television, beaming. He hugged her enthusiastically, disregarding the fact that she topped him by four inches or so, then let go and looked at Roger, his features rearranged in a look of wary cordiality.
“This the boyfriend?”
“This is Roger Wakefield,” Brianna said, narrowing her eyes slightly at the doctor. “Roger, Joe Abernathy.”
“Dr. Abernathy.”
“Call me Joe.”
They shook hands in mutual assessment. The doctor looked him over with quick brown eyes, no less shrewd for their warmth.
“Bree, honey, you want to go lay hands on that piece of junk, see can you bring it back to life?” He jerked a thumb at the twenty-four-inch RCA sitting in mute defiance on its wire stand. “It was working fine last night, then today … pffft!”
Brianna looked dubiously at the big color TV, and groped in the pocket of her jeans, coming out with a Swiss Army knife.
“Well, I can check the connections, I guess.” She flicked out the screwdriver blade. “How much time do we have?”
“Half hour, maybe,” called a crew-cut student from the kitchen doorway. He glanced at the crowd clustered around the small black-and-white set on the table. “We’re still with Mission Control in Houston—ETA thirty-four minutes.” The muted excitement of the TV commentator came in bursts through the more vivid excitement of the spectators.
“Good, good,” said Dr. Abernathy. He laid a hand on Roger’s shoulder. “Plenty of time for a drink, then. You a Scotch man, Mr. Wakefield?”
“Call me Roger.”
Abernathy poured a generous measure of amber nectar and handed it over.
“Don’t imagine you take water, do you, Roger?”
“No.” It was Lagavulin; astonishing to find it in Boston. He sipped appreciatively, and the doctor smiled.
“Claire gave it to me—Bree’s mama. Now, there was a woman with a taste for fine whisky.” He shook his head nostalgically, and raised his glass in tribute.
“Slàinte,” Roger said quietly, and tipped his own glass before drinking.
Abernathy closed his eyes in silent appreciation—whether of the whisky or the woman, Roger couldn’t tell.
“Water of life, huh? I do believe that particular stuff could raise the dead.” He set the bottle back in the liquor cabinet with reverent hands.
How much had Claire told Abernathy? Enough, Roger supposed. The doctor picked up his tumbler and gave him