Dublin Noir - Ken Bruen [40]
He raised an eyebrow, his expression not unlike scorn.
So I said, “How do you know Toman?”
Sean lipped his glass, then poured it down and wiped his mouth. “Real estate investments. In Prague. Toman, he helps me out. He’s the go-between.”
“Toman helps,” said Toman, “so my good friend Sean can buy all of Prague for his friends.”
“What friends?” I asked.
But the Irishman didn’t hear me. “A pint, lads?”
A pint, it turned out, meant ten pints in three pubs—the Paddy Cullens hidden in the embassy area; Crowes a few doors down; and by 11:00 I was dizzy in Bellamy’s, where at this hour all the surfaces were sticky and rugby boys were singing to each other and businessmen at the bar swapped jokes over Guinness. Toman and Sean drained their Harps and roared over jokes about Linda-who’d-gotten-the-boot (“Och, ochón,” said Sean, “she had an ass onner!”) and others whose names I couldn’t keep track of. They liked my Zagreb drinking stories from five years before, where after finishing most of a bottle, we’d pour vodka on the dorm floor and set it alight or spark a match at the mouth of a bottle and watch it shoot, rocket-like, down the corridor.
Toman preferred the ones about running into Zagreb police at 3 a.m. This was still during the Communist times, but my Croat friends would drunkenly yell at the militiamen, calling them idiots and just daring them to arrest us. “I don’t know why we didn’t end up behind bars.”
“Because they know it is true,” said Toman. “Police, they are idiots.”
“The Gardaí wouldn’t arrest you,” said Sean, wiping Harp from his wet beard. “They’d bust your head, strip ya starkers, and toss ya in the Liffey, ne’er to be heard from again.” He shook his head. “I’m pissed.”
We watched him get up and stumble to the toilet.
Toman leaned close with the atrocious breath that would often portend a shift into Czech seriousness. “Olen, you want to be writer?”
I was drunk enough to answer with soulfulness. I placed a hand on his shoulder. “Toman, my friend, a writer is the only thing I want to be.”
“True?”
“Absolutely.”
“Then come,” he said as he stood up.
On his feet Toman was steady, but I wasn’t. “Where we going?”
“Toman helps you become writer.”
“Dandy,” I muttered.
He led me to the bathroom, and through the alcohol I became hazily worried, but for the wrong reason.
“Not all writers are queer, Toman.”
He didn’t answer as he pushed through the door. It was empty save for Sean, who was trying to focus his wobbly stream into a urinal. He noticed us. “Aye, I’m óltach.”
That was another thing I didn’t understand. Later I learned it meant drunk in Gaelic.
Toman looked back at me and whispered, “Watch, writer.” Then he grabbed Sean from behind, a thick arm over his trachea muting his yelps. He dragged the Irishman back into a stall. A spastic fountain of urine shot from him, but the only sounds were his kicking heels dragging across the tiles, then the crack of bone inside the stall.
It was very fast, and by the time Toman had placed Sean on the toilet, shut the door, and started using paper towels to wipe the wet spots on his pants, I was still unsure what had just happened.
My body figured it out before my head did, and I threw myself into the next stall and regurgitated my ten pints.
“You was watching?” I heard him say behind me. “You watch, writer?”
I don’t know exactly how, but soon we were out in the biting cold, Toman helping me walk and explaining that Sean’s clients were from Belfast, laundering IRA proceeds by buying up most of Prague’s old town.
“We kick out Russians, no? And now these Irish criminals, they think Toman will not to kick out them?”
We were in front of Sean’s apartment, me trying to twist out of the Czech’s grip. “You’re a fucking murderer.”
“And you are writer!” He helped me up the front steps as he jangled the keys he’d taken from Sean’s body. “Toman help you find story. No?”
We were inside by this time, but I was still so goddamned cold.
“This is world, Writer. And now you see it. No more like you live in university.”
It seems strange to me now,