Dublin Noir - Ken Bruen [50]
“And did you want breakfast included, Mrs. Gardner?”
“Yes.” She wanted everything included—breakfast and dinner and laundry and facials, if such a thing were available. She wanted to spend as much of Barry’s money as possible. She congratulated herself for her cleverness, using the American Express card, which had no limit. She could spend as much as she liked at the hotel, now that the number was on file.
It was time, as it turned out, that was hard to spend. For all Barry’s faults—a list that was now quite long in her mind, and growing every day—he was a serious and sincere traveler, the kind who made the most of every destination. He was a tourist in the best sense of the word, a man determined to wring experience from wherever he landed. While in Galway, they had rented a car and tried to follow Yeats’s trail, figuratively and literally, driving south to see his castle and the swans at Coole, driving north to Mayo and his final resting place in the shadow of Ben Bulben, which Barry had confused with the man in the Coleridge poem. She had surprised Barry with her bits of knowledge about the poet, bits usually gleaned seconds earlier from the guidebook, which she skimmed covertly while pretending to look for places to eat lunch. Skimming was a great skill, much underrated, especially for a girl who was not expected to be anything but decorative.
It had turned out that Yeats’s trail was also Moira’s. Of course. Moira had been a literature major in college and she had a penchant for the Irish and a talent, apparently, for making clever literary allusions at the most unlikely moments. On Barry and Moira’s infamous trip, which had included not just Ireland, but London and Edinburgh, Moira had treated Barry to a great, racketing bit of sex after seeing an experimental production of Macbeth at the festival. And while the production came off with mixed results, it somehow inspired a most memorable night with Moira, or so Barry had confided over all those pints in Galway. She had brought him to a great shuddering climax, left him spent and gasping for breath, then said without missing a beat: “Now go kill Duncan.” (When the story failed to elicit whatever tribute Barry thought its due—laughter, amazement at Moira’s ability to make Shakespearean allusions after sex—he had added, “I guess you had to be there.” “No thank you,” she had said.)
She did not envy Moira’s education. Education was overrated. A college dropout, she had supported herself very well throughout her twenties, moving from man to man, taking on the kind of jobs that helped her meet the right kind of guys—galleries, catering services, film production offices. Now she was thirty—well, possibly thirty-one, she had been lying about her age for so long, first up, then down, that she got a little confused. She was thirty or thirty-one, possibly thirty-two, and while going to Dublin had seemed like an inspired bit of revenge against Barry, it was not the place to find her next patron, strong euro be damned. Paris, London, Zurich, Rome, even Berlin—those were the kind of places where a certain kind of woman could meet the kind of man who would take her on for a while. Who was she going to meet in Dublin? Bono? But he was married and always prattling about poverty.
So, alone in Dublin, she wasn’t sure what to do, and when she contemplated what Barry might have done, she realized it was what Moira might have done, and she wanted no part of that. Still, somehow—the post office done, Kilmainham done, the museums done—she found herself in a most unimpressive town house, studying a chart that claimed to explain how parts of Ulysses related to the various organs of the human body.
“Silly, isn’t it?” asked a voice behind her, startling her, not only because she had thought herself alone in the room, but also because the voice expressed her own thoughts so succinctly. It was an Irish voice, but it was a sincere voice, too, the beautiful vowels without all the bullshit blarney, which was growing tiresome. She could barely