Dusk and Other Stories - James Salter [50]
It was Hedges, the convict Joyce scholar, the rumpled ghost at literary parties, who had found her. He was distant at first, he barely spoke a word to her the night they met. She had not been in New York long then. She was living on Twelfth Street in a room with no furniture. The next day the phone rang. It was Hedges. He asked her to lunch. He had known from the first exactly who she was, he said. He was calling from a phone booth, the traffic was roaring past.
“Can you meet me at Haroot’s?” he said.
His hair was uncombed, his fingers unsteady. He was sitting by the wall, too nervous to look at anything except his hands. She became his companion.
They spent long days together wandering in the city. He wore shirts the color of blue ink, he bought her clothes. He was wildly generous, he seemed to care nothing for money, it was crumpled in his pockets like wastepaper, when he paid for things it would fall on the floor. He made her come to restaurants where he was dining with his wife and sit at the bar so he could watch her while they ate.
Slowly he began her introduction to another world, a world which scorned exposure, a world more rich than the one she knew, certain occult books, philosophies, even music. She discovered she had a talent for it, an instinct. She achieved a kind of power over herself. There were periods of deep affection, serenity. They sat in a friend’s house and listened to Scriabin. They ate at the Russian Tea Room, the waiters knew his name. Hedges was performing an extraordinary act, he was fusing her life. He, too, had found a new existence: he was a criminal at last. At the end of a year they came to Europe.
“He’s intelligent,” she explained. “You feel it immediately. He has a mind that touches everything.”
“How long have you been with him?”
“Forever,” she said.
They walked back toward her hotel in that one, dying hour which ends the day. The trees by the river were black as stone. Wozzeck was playing at the theater to be followed by The Magic Flute. In the print shops were maps of the city and drawings of the famous bridge as it looked in Napoleon’s time. The banks were filled with newly minted coins. She was strangely silent. They stopped once, before a restaurant with a tank of fish, great speckled trout larger than a shoe lazing in green water, their mouths working slowly. Her face was visible in the glass like a woman’s on a train, indifferent, alone. Her beauty was directed toward no one. She seemed not to see him, she was lost in her thoughts. Then, coldly, without a word, her eyes met his. They did not waver. In that moment he realized she was worth everything.
They had not had an easy time. Reason is unequal to man’s problems, Hedges said. His wife had somehow gotten hold of his bank account, not that it was much, but she had a nose like a ferret, she found other earnings that might have come his way. Further, he was sure his letters to his children were not being delivered. He had to write them at school and in care of friends.
The question above all and always, however, was money. It was crushing them. He wrote articles but they were hard to sell, he was no good at anything topical. He did a piece about Giacometti with many haunting quotations which were entirely invented. He tried everything. Meanwhile, on every side it seemed, young men were writing film scripts or selling things for enormous sums.
Hedges was alone. The men his age had made their reputations, everything was passing him by. Anyway he often felt it. He knew the lives of Cervantes, Stendhal, Italo Svevo but none of them was as improbable as his own. And wherever they went there were his notebooks and papers to carry. Nothing is heavier than paper.
In Grasse he had trouble with his teeth, something went bad in the roots of old repairs. He was in misery, they had to pay a French dentist almost