E Is for Evidence - Sue Grafton [40]
"Tell me what was happening the week he died." "Nothing. It seemed like an ordinary week to me. He talked to Woody. Two days later, he was dead. After the funeral, I packed up, put everything in a U-Haul, and hit the road for home. This is where I've been ever since."
"And there was nothing among his things to suggest what was going on? No letter? A note?"
She shook her head. "I went through his desk the day he died, and I didn't see a thing."
12
The flight home was uneventful. I'd spent an hour and a half with Lyda, and the rest of the night in the airport terminal with its red carpeting, high glass ceiling, real trees, and an actual bird that flew back and forth, chirping incessantly. It was sort of like camping out, only I was sitting upright and I didn't have any wienies to roast. I made notes of my conversation with Lyda, which I'd tran-scribe for the files when I got home. I was inclined to believe Hugh Case had been murdered, though I had no idea how, why, or by whom. I also tended to think his death was related to current events at Wood/Warren, though I couldn't imagine what the connection might be. Lyda had promised to get in touch if she remembered anything of note. All in all, it was not an unproductive trip. It had generated more questions than it answered, but that was fine with me. As long as there are threads to unravel, I'm in business. The frustration starts when all the leads dry up and the roads turn out to be dead ends. With Hugh Case, I felt like I'd just found one of the corner pieces of a jigsaw puzzle. I had no idea what the final picture would look like, but at least I had a place to start.
I boarded the plane at 4:30 A.M. and arrived at LAX at 5:45. I had to wait for a 7:00 A.M. shuttle to Santa Teresa, and by the time I dragged my sorry ass home, I was dead on my feet. I let myself into the apartment an hour later, checked for messages (none), pulled my boots off, and curled up in the folds of my quilt, fully dressed.
At approximately 9:02, there was a knock at my door. I staggered up out of sleep and shuffled to the door, dragging my quilt behind me like a bridal train. My mouth tasted foul and my hair was standing straight up, as spiky as a punker's, only not as clean. I peered through the fish-eye, too clever to be caught unawares by an early-morning thug. Standing on my doorstep was my second ex-husband, Daniel Wade.
"Shit," I murmured. Briefly, I leaned my head against the door and then peeked again. All I could see in trun-cated form was his face in profile, blond hair curling around his head like an aura. Daniel Wade is quite possibly the most beautiful man I've ever seen-a bad sign. Beauti-ful men are usually either gay or impossibly narcissistic. (Sorry for the generalization, folks, but it's the truth.) I like a good face or an interesting face or a face with character, but not this sculpted perfection of his ... the straight, well-proportioned nose, high cheekbones, strong jaw-line, sturdy chin. His hair was sun-bleached, his eyes a remarkable shade of blue, offset by dark lashes. His teeth were straight and very white, his smile slightly crooked. Get the picture, troops?
I opened the door. "Yes?"
"Hi."
"Hello." I gave him a rude stare, hoping he'd disap-pear. He's tall and slim and he can eat anything without gaining weight. He stood there in faded jeans and a dark-red sweatshirt with the sleeves pushed up. His skin had a golden sheen, tanned and windburned, so his cheeks glowed darkly. Just another boring California golden boy. The hair on his arms was bleached nearly white. His hands were tucked in his pockets, which was just as well. He's a jazz pianist with long, bony fingers. I fell in love with his hands first and then worked my way up.
"I've been in Florida." Good voice, too . . . just in case his other virtues fail