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E Is for Evidence - Sue Grafton [8]

By Root 245 0
I was finished soon enough, I was welcome to stop by and have some punch and Christmas cookies. I had already taken out my measuring tape, note-book, sketch pad, and pencils, mentally laying out the or-der in which I intended to proceed. I thanked him, scarcely aware of his departure.

I circled the perimeter of the building, noting the areas of severest burning, checking the window frames on the first floor for signs of forced entry. I wasn't sure how quickly the salvage crew would be coming in, and since there was no apparent evidence of arson, I didn't feel California Fidelity could insist on a delay. Monday morn-ing, I would do a background check on Lance Wood's fi-nancial situation just to make sure there wasn't any hidden profit motive for the fire itself ... a mere formality in this case, since the fire chief had already ruled out arson in his report. Since this was probably the only chance we'd have to survey the premises, I photographed everything, taking two rolls of film, twenty-four exposures each.

As nearly as I could tell, the probable point of origin of the fire was somewhere in the north wall, which seemed consistent with the theory of an electrical malfunction. I'd have to check the wiring diagram from the original blue-prints, but I suspected the fire chief had done just that in coming up with his analysis. The surface of charred wood bore the typical pattern of crevices known as "alligatoring," the deepest charring and the smallest check in the pattern localized in this rear portion of the building. Since hot gases rise and fire normally sweeps upward, it's usually possible to track the course of the flames, which will tend to rise until an obstacle is encountered, then project hori-zontally, seeking other vertical outlets.

Much of the interior had been reduced to ashes. The load-bearing walls remained, as black and brittle as cinder. Gingerly, I picked my way through the char-broiled junk, making a detailed map of the ruins, noting the degree of burning, general appearance, and carbonization of burned objects. Every surface I encountered had been painted with the black and ashen pallor of extreme heat. The stench was familiar: scorched wood, soot, the sodden odor of drenched insulation, the lingering chemical aroma of ordinary materials reduced to their elements. There was some other odor as well, which I noted, but couldn't iden-tify. It was probably connected to materials stored there. When I'd called Lance Wood the day before, I'd requested a copy of the inventory sheets. I'd review those to see if I could pinpoint the source of the smell. I wasn't crazy about having to inspect the fire scene before I'd had a chance to interview him, but I didn't seem to have much choice, now that he'd disappeared. Maybe he'd be back for the office Christmas party and I could pin him down then about an appointment first thing Monday morning.

At 2:00 P.M., I packed my sketch pad away and brushed off my jeans. My tennis shoes were nearly white with ash, and I suspected that my face was smudged. Still, I was reasonably content with the job I'd done. Wood/Warren was going to have to get several contractors' estimates, and those would be submitted to CF along with my recom-mendation regarding payment of the claim. Using the standard rule, I was guessing five hundred thousand dol-lars replacement cost, with additional payment for the inventory loss.

The Christmas party was indeed in progress. The fes-tivities were centered in the inner offices where a punch bowl had been set up on a drafting table. Desks had been cleared and were covered with platters of cold cuts, cheeses, and crackers, along with slices of fruitcake and homemade cookies. The company employees numbered about sixty, so the noise level was substantial, the general atmosphere getting looser and livelier as the champagne punch went down. Some sort of Reggae version of Christ-mas carols was being blasted through the intercom system.

There was still no sign of Lance Wood, but I spotted Heather on the far side of the room, her cheeks rosy with wassail. Terry

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