Edible Woman - Margaret Atwood [45]
He wasn’t even looking at me. He might have been talking to himself. I leaned forward too, so I could see his face. In the blue-tinged fluorescent lighting of the laundromat, a light that seems to allow no tones and no shadows, his skin was even more unearthly. “I have to get out, it’s that apartment. In the summer it’s like a hot, dark oven, and when it’s that hot you don’t even want to turn on the iron. There isn’t enough space anyway but the heat makes it shrink, the others get too close. I can feel them even in my own room with the door closed; I can tell what they’re doing. Fish barricades himself into that chair and hardly moves, even when he’s writing, and then he tears it all up and says it’s no good and sits there for days staring at the pieces of paper on the floor; once he got down on his hands and knees and tried to put them together again with scotch-tape, and failed of course, and threw a real scene and accused both of us of trying to use his ideas to publish first and stealing some of the pieces. And Trevor, when he isn’t away at summer school or heating the apartment up cooking twelve-course dinners, I’d just as soon eat canned salmon, practises his fifteenth-century Italian calligraphy, scrollwork and flourishes, and goes on and on about the quattrocento. He has an amazing memory for detail. I guess it’s interesting but somehow it isn’t the answer, at least not for me, and I don’t think it really is for him either. The thing is, they repeat themselves and repeat themselves but they never get anywhere, they never seem to finish anything. Of course I’m no better, I’m just the same, I’m stuck on that wretched term paper. Once I went to the zoo and there was a cage with a frenzied armadillo in it going around in figure-eights, just around and around in the same path. I can still remember the funny metallic sound its feet made on the bottom of the cage. They say all caged animals get that way when they’re caged, it’s a form of psychosis, and even if you set the animals free after they go like that they’ll just run around in the same pattern. You read and read the material and after you’ve read the twentieth article you can’t make any sense out of it anymore, and then you start thinking about the number of books that are published in any given year, in any given month, in any given week, and that’s just too much. Words,” he said, looking in my direction finally but with his eyes strangely unfocussed, as though he was really looking at a point several inches beneath my skin, “are beginning to lose their meanings.”
The machines were switching into one of their rinsing cycles, whirling the clothes around faster and faster; then there was more running water, and more churning and sloshing. He lit another cigarette.
“I gather you’re all students, then,” I said.
“Of course,” he said mournfully, “couldn’t you tell? We’re all graduate students. In English. All of us. I thought everyone in the whole city was; we’re so totally inbred that we never see anyone else. It was quite strange when you walked in the other day and turned out not to be.”
“I always thought that would be sort of exciting.” I didn’t really, I was trying to be responsive, but I was conscious as soon as I’d closed my mouth of the schoolgirl gushiness of the remark.
“Exciting.” He snickered briefly. “I used to think that. It looks exciting when you’re an eager brilliant undergraduate. They all say, Go on to graduate studies, and they give you a bit of money; and so you do, and you think, Now I’m going to find out the real truth. But you don’t find out, exactly, and things get pickier and pickier and more and more stale, and it all collapses in a welter of commas and shredded footnotes, and after a while it’s like anything else: you’ve got