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Elementals - A. S. Byatt [45]

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clung to her damp clothes in the heat. And then suddenly, round a rock, came the entrance to a wide tunnel in the mountainside. They lit torches and lanterns, and went in. Behind them the daylight diminished to a great O and then to a pinprick. It was cooler inside the stone, but not comfortable, for it was airless, and the sense of the weight of the stone above was oppressive. They were travelling inwards and upwards, inwards and upwards, trudging steadily, breathing quietly. And they came, in time, to a great timbered door, on massive hinges. And Sasan put his mouth to a hole beside the keyhole, and blew softly, and everyone could hear a clear musical note, echoed and echoed again, tossed from bell to bell of some unseen carillon. Then the door swung open, lightly and easily, and they went into a place like nowhere Fiammarosa had ever seen.

It was a palace built of glass in the heart of the mountain. They were in a forest of tall glass tubes with branching arms, arranged in colonnades, thickets, circular balustrades. There was a delicate sound in the air, of glass bells, tubular bells, distant waterfalls, or so it seemed. All the glass pillars were hollow, and were filled with columns of liquid – wine-coloured, sapphire, amber, emerald and quicksilver. If you touched the finer ones, the liquid shot up, and then steadied. Other columns held floating glass bubbles, in water, rising and falling, each with a golden numbered weight hanging from its balloon. In the dark antechambers, fantastic candles flowered in glass buds, or shimmered behind shades of figured glass set on ledges and crevices. As they moved onwards through the glass stems, all infinitesimally in motion, they came to a very high chamber miraculously lit by daylight through clear glass in a high funnelled window, far, far above their heads. Here, too, the strange pipes rose upwards, some of them formed like rose bushes, some like carved pillars, some fantastically twined with glass grapes on glass vines. And in this room, there were real waterfalls, sheets of cold water dropping over great slabs of glass, like ice-floes, into glassy pools where it ran away into hidden channels, water falling in sheer fine spray from the rock itself into a huge glass basin, midnight-blue and full of dancing cobalt lights, with a rainbow fountain rising to meet the dancing, descending mare’s-tail. All the miracles of invention that glittered and glimmered and trembled could not be taken in at one glance. But Fiammarosa took in one thing. The air was cold. By water, by stone, by ice from the mountain top, the air had been chilled to a temperature in which her icewoman’s blood stirred to life and her eyes shone.

Sasan showed her further miracles. He showed her her bedchamber, cut into the rock, with its own high porthole window, shaped like a many-coloured rose and with real snow resting on it, far above, so that the light was grainy. Her bed was surrounded by curtains of spun glass, with white birds, snow birds, snowflowers and snow-crystals woven into them. She had her own cooling waterfall, with a controlling gate, to make it greater or smaller, and her own forest of glass trees, with their visible phloem rising and falling. Sasan explained to her the uses of these beautiful inventions, which measured, he said, the weight, the heat, the changes of the ocean of elementary air in which they moved. The rising and falling glass bubbles, each filled to a different weight, measured the heat of the column of water that supported them. The quicksilver columns, in the fine tubes within tubes, were made by immersing the end of the tube in a vessel of mercury, and stopping it with a finger, and then letting the column of quicksilver find its level, at which point the weight of the air could be read off the height of the column in the tube. And this column, he said, varied, with the vapours, the winds, the clouds in the outer atmosphere, with the height above the sea, or the depth of the cavern. You may measure such things also with alcohol, which can be coloured for effect. Fiammarosa

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