Elric of Melnibone - Michael Moorcock [0]
by Michael Moorcock
Book One of the Elric Saga
BOOK ONE
On the island kingdom of Melniboné all the old rituals are still observed, though the nation’s power has waned for five hundred years, and now her way of life is maintained only by her trade with the Young Kingdoms and the fact that the city of Imrryr has become the meeting place of merchants. Are those rituals no longer useful; can the rituals be denied and doom avoided? One who would rule in Emperor Elric’s stead prefers to think not. He says that Elric will bring destruction to Melniboné by his refusal to honour all the rituals (Elric honours many). And now opens the tragedy which will close many years from now and precipitate the destruction of this world.
1
A Melancholy King: A Court Strives to Honour Him
* * *
IT IS THE colour of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the colour of bone, resting on each arm of a seat which has been carved from a single, massive ruby.
The crimson eyes are troubled and sometimes one hand will rise to finger the light helm which sits upon the white locks: a helm made from some dark, greenish alloy and exquisitely moulded into the likeness of a dragon about to take wing. And on the hand which absently caresses the crown there is a ring in which is set a single rare Actorios stone whose core sometimes shifts sluggishly and reshapes itself, as if it were sentient smoke and as restless in its jewelled prison as the young albino on his Ruby Throne.
He looks down the long flight of quartz steps to where his court disports itself, dancing with such delicacy and whispering grace that it might be a court of ghosts. Mentally he debates moral issues and in itself this activity divides him from the great majority of his subjects, for these people are not human.
These are the people of Melniboné, the Dragon Isle, which ruled the world for ten thousand years and has ceased to rule it for less than five hundred years. And they are cruel and clever and to them ‘morality’ means little more than a proper respect for the traditions of a hundred centuries.
To the young man, four hundred and twenty-eighth in direct line of descent from the first Sorcerer Emperor of Melniboné, their assumptions seem not only arrogant but foolish; it is plain that the Dragon Isle has lost most of her power and will soon be threatened, in another century or two, by a direct conflict with the emerging human nations whom they call, somewhat patronisingly, the Young Kingdoms. Already pirate fleets have made unsuccessful attacks on Imrryr the Beautiful, the Dreaming City, capital of the Dragon Isle of Melniboné.
Yet even the emperor’s closest friends refuse to discuss the prospect of Melniboné’s fall. They are not pleased when he mentions the idea, considering his remarks not only unthinkable, but also a singular breach of good taste.
So, alone, the emperor broods. He mourns that his father, Sadric the Eighty-Sixth, did not sire more children, for then a more suitable monarch might have been available to take his place on the Ruby Throne. Sadric has been dead a year; whispering a glad welcome to that which came to claim his soul. Through most of his life Sadric had never known another woman than his wife, for the Empress had died bringing her sole thin-blooded issue into the world. But, with Melnibonéan emotions (oddly different from those of the human newcomers), Sadric had loved his wife and had been unable to find pleasure in any other company, even that of the son who had killed her and who was all that was left of her. By magic potions and the chanting of runes, by rare herbs had her son been nurtured, his strength sustained artificially by every art known to the Sorcerer Kings of Melniboné. And he had lived—still lives—thanks to sorcery alone, for he is naturally lassitudinous and, without his drugs, would barely