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Elric Swords and Roses - Michael Moorcock [1]

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15, March and May 1972. Conan ® and © 1972 Conan Properties International LLC. Reprinted by permission of Conan Properties International LLC.

“The World of Elric” map by John Collier and Walter Romanski, © 1976, first published in Elric of Melniboné. “Elric in the Young Kingdoms” map by John Collier, © 2009. These corrected versions, previously unpublished, reprinted by permission of John Collier.

Interior artwork and “L’Ère des Jeunes Royaumes” map, both by Philippe Druillet, from Elric le Necromancien, Éditions Opta, © 1969. Reprinted by permission of Philippe Druillet.

The Revenge of the Rose, Ace Books, cover artwork © 1991 by Robert J. Gould. Reprinted by permission of Ace Books.

Various Elric artworks by James Cawthorn reprinted by permission of Maureen Bell on behalf of James Cawthorn.

“Dream of a Doomed Lord” © 1978 by James Cawthorn, first published in Something Else No. 1, edited by Charles Partington, Spring 1980. Reprinted by permission of Charles Partington.

Cover artwork for Crucified Toad No. 4, edited by David Britton, Winter 1974, and a page from Stormbringer, graphic adaptation, Savoy Books, © 1976, both by James Cawthorn. Reprinted by permission of David Britton, Savoy Books.

ALSO BY MICHAEL MOORCOCK

Behold the Man

Breakfast in the Ruins

Gloriana

The Metatemporal Detective

CHRONICLES OF THE LAST EMPEROR OF MELNIBONÉ

Elric: The Stealer of Souls

Elric: To Rescue Tanelorn

Elric: The Sleeping Sorceress

Duke Elric

Elric: In the Dream Realms

THE CORNELIUS QUARTET

The Final Program

A Cure for Cancer

The English Assassin

The Condition of Muzak

BETWEEN THE WARS: THE PYAT QUARTET

Byzantium Endures

The Laughter of Carthage

Jerusalem Commands

The Vengeance of Rome

And many more

In Memoriam

Jim Cawthorn

December 21, 1929–December 2, 2008

CONTENTS

Cover

Praise for Michael Moorcock and the Elric Series

Title Page

Copyright

Other Books by This Author

Dedication

Foreword by Tad Williams

Introduction

THE REVENGE OF THE ROSE

Book One

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Book Two

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Book Three

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Epilogue

STORMBRINGER: FIRST DRAFT SCREENPLAY

BLACK PETALS

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Epilogue

ASPECTS OF FANTASY (PART 4)

INTRODUCTION TO THE SKRAYLING TREE

INTRODUCTION TO THE FRENCH EDITION OF ELRIC

ELRIC: A NEW READER’S GUIDE

ORIGINS

Early artwork associated with Elric’s first appearances in magazines and books

About the Author

About the Illustrator

FOREWORD

by Tad Williams

Michael Moorcock is my religion.

I’ll explain that, I promise. It may take me a few minutes …

First off, if you’re standing in a store reading this and you don’t know Moorcock’s work, just buy the book. There. You’ve done yourself a favor.

If you’re one of my readers (I feel presumptuous even mentioning it) and you haven’t read any Moorcock, you must. He is one of the field’s few living legends and has had a gigantic influence on me (and on most other writers of speculative fiction my age).

If you’re new to his work and want to know more about Moorcock’s background, go get the first volume of this series, The Stealer of Souls, and read Alan Moore’s foreword. In fact, get the whole series. That’s not what this foreword’s about.

And, no, I haven’t forgotten that I said I’d explain the religion thing.

See, I sat down to write this foreword and realized that the other writers who had talked about Moorcock in the previous volumes had said pretty much all the general stuff about the man and his work that needed to be said. He’s an artist who knocked people’s socks off when he was a wunderkind, but he has continued to get better and better every damn year of his life. The scope of his work is probably unmatched in the field—science fiction, fantasy, black humor, surrealism, you name

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