Elric Swords and Roses - Michael Moorcock [103]
More urgent and more complex were the runes now as they sang with their bodies and swam with their minds through near-infinities of screaming rainbows; sailing through their own bodies and out again into worlds and worlds of desolation, millennia of unchecked joy and a hint of that seductive ordinariness where so much of the human heart must always lie but which it so rarely celebrates …
So those old unhuman folk wove their spell, making manifest the promise of the runes, controlling the potency of un-moral magic which knew no loyalty save to itself.
The spell grew upon its own volition now, as it was meant to do, twisting and curling and creeping like the supple boughs of the yew-hedge which clung together to create so much modest strength, and then they began to fashion what they had woven, forming it and re-forming it over and over again between them, twisting it and turning it, throwing it one to the other, touching it and tasting it and sniffing it and stroking it, until the force they now balanced between them, which hovered over the Black Sword itself, was of the perfect supernatural shape and almost ready for release …
Yet still the songs must be sung, to hold the force, to channel it; to bridle it and saddle it; to charge it with a moral will, to force it to make a choice—for this stuff, this prime matter, was constitutionally incapable of choice, of moral direction or persuasion. And so must be forced …
Forced by a concentration of psychic energy, of disciplined will and moral strength which resisted all attack upon it, either from without or within, and which refused to be deflected from its purpose by an argument, example or threat …
Forced by four creatures so similar that they were almost one flesh and, at this moment, essentially one mind …
Forced downwards through the Black Sword which was not itself the receptacle of that power but merely the final and much-needed conductor …
Forced through the living stone, into the slab of rock from which the bowl, column and plinth had been carved, thousands of years before …
To transform it—to alter it entirely from any kind of material remotely akin to stone—a living form of energy so immense it was impossible, even for the adepts themselves, to imagine the fullness of its power, or how such power could possibly be contained.
Now this energy, coruscating, swirling, dancing, celebrating its own incredible being, joined in the song of the sisters, the albino and the runesword, until they formed a choir which could be heard throughout the multiverse, in every Sphere, upon every part of every planet; echoing forever throughout the multitude of planes and dimensions of the quasi-infinite. To be heard always, now, somewhere, while the multiverse existed. It was a song of promise, of responsibility and of celebration. A promise of harmony; the triumph of love; a celebration of the multiverse in balance. It was through an exquisite metaphysical harmony that they controlled this force and made it obey them, releasing it once more …
… Releasing it into three great Objects of Power which, as the fountain faded away, were revealed, grouped around the Black Sword standing in the centre of the small pool …
… Three swords, the weight and length of Stormbringer, but otherwise very different