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Empire of Illusion - Chris Hedges [30]

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be overcome by tapping into our hidden, inner strengths. They encourage us to bow down before the cult of the self. To confront these illusions, to puncture their mendacity by exposing the callousness and cruelty of the corporate state, signals a loss of faith. It is to become an apostate. The culture of illusion, one of happy thoughts, manipulated emotions, and trust in the beneficence of power, means we sing along with the chorus or are instantly disappeared from view like the losers on a reality show.

II


The Illusion of Love


Capitalism is not wicked or cruel when the commodity is the whore; profit is not wicked or cruel when the alienated worker is a female piece of meat; corporate bloodsucking is not wicked or cruel when the corporations in question, organized crime syndicates, sell cunt; racism is not wicked or cruel when the black cunt or yellow cunt or red cunt or Hispanic cunt or Jewish cunt has her legs splayed for any man’s pleasure; poverty is not wicked or cruel when it is the poverty of dispossessed women who have only themselves to sell; violence by the powerful against the powerless is not wicked or cruel when it is called sex; slavery is not wicked or cruel when it is sexual slavery; torture is not wicked or cruel when the tormented are women, whores, cunts. The new pornography is left-wing; and the new pornography is a vast graveyard where the Left has gone to die. The Left cannot have its whores and its politics too.

—ANDREA DWORKIN, Pornography: Men Possessing Women

THE PINK CROSS BOOTH has a table of anti-porn tracts and is set up in the far corner of the Sands Expo convention center in Las Vegas. It is an unlikely participant at the annual Adult Video News (AVN) expo. Pink Cross is a Christian outreach program for women in the porn industry, run by ex-porn star Shelley Lubben.

In a convention exalting the pornography industry, Lubben’s table is not overrun with visitors, most of whom are male and middle-aged with cameras around their necks. The few men who make it to the far corner of the convention center look curiously at its pink banner and walk past. The expo is filled with more alluring fare. There are numerous booths for porn producers and distributors, many with women in tiny skirts and bras who, often clinging to stripper poles, gyrate and bend over and spread their legs for groups of men. They simulate masturbation and flash their breasts for crowds of onlookers. Huge banners hang from the ceiling promoting new releases such as Anal Buffet, Fetish Fuck Dolls, Gangbang My Face 3, Fuck Slaves 3, Milk Nymphos 2, and Slutty and Sluttier 6.

A local escort service, VegasGirls, has a booth about a hundred feet from Pink Cross. There is a homemade wooden wheel with a flipper that looks like a middle-school shop project on its table. Those who spin the wheel can get various discounts or even a free visit by a “stripper” to their hotel room. Small, glossy cards are fanned out on the table, showing women in evocative poses and not much clothing, all with a first name, the agency’s phone number, and the phrase actual photo emblazoned on the side of the card.

“You want to take a picture of my boobs, then you have to take my card,” a woman in front of the booth tells a camera-wielding, middle-aged man.

“If I call this number, is it you who will come?” he asks.

“Here, baby,” she says, giving him the card. “I will come.”

Many of the booths at the Sands Expo feature well-known porn stars. There are long lines of men waiting for a signed photo and the chance to have a picture with stars from the Wicked Pictures studio, including Kaylani Lei, Kirsten Price, and Jessica Drake. The men usually wrap their arms around the women for the photo, always taken by a friend or someone in line. As they hug the women’s waists, the women sometimes playfully grab the man’s crotch or lick their lips. Huge plasma screens placed in the booths run nonstop porn, often featuring the stars having anal sex with multiple partners or giving blow jobs. The sheer volume of porn blasted throughout the

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