Enigmatic Pilot_ A Tall Tale Too True - Kris Saknussemm [151]
He knew that he was still inside the music box, but it was much larger than he had first thought. The door of the theater opened into the street of a town, a ghost town lit by unknown means, like the lights he had seen in Mother Tongue’s grotto. Dead people were walking about as if in a trance. Skeletons and mechanical men and women, like a vast fair of haunted machines. There were folk dressed in historic costumes and all manner of fantastic creatures from out of fairy tales, while women in hoopskirts with the same porcelain mask for faces paraded past in silence.
In the dark of the windows he ran by, he glimpsed things like torture chambers—people getting their limbs removed, human bodies with the heads of other animals, pits full of reptiles with the faces of children. On and on he ran, trying to catch the man who had Hattie—or was it his sister?
Gradually, the light began to change, and he saw that the music box that he thought was a theater and then a town was like another kind of theater yet again. There were living people watching, pointing, ogling the sights—as if the entire maze he was lost in was but one huge medicine show. The people were in costumes of a type he had never seen before. Bright artificial colors, ridiculous shoes. Many of the women were baring obscene amounts of flesh, and everyone seemed obese. The more frantically he explored, the more disgusted he became, for he came to see and smell the overpowering aromas and quantities of the nauseous, tempting food they were devouring. Gorging like maniacs.
In the labyrinth of the automata ghost town, there were islands and lagoons where machine men dressed as pirates fought with swords and fired cannons. Somnolent blank princesses sang to birds and squirrels, whose mouths opened on hinges in perfect time. He saw riverboats like the kind he had ridden on, filled with talking dolls. All the living people were laughing at these distractions, stuffing food into their mouths as if they had never eaten before. The horror of it almost made him forget why he was there, what he was chasing—for in some unspoken way he understood that it was the mechanical creatures and the fantasies unfolding all around that were driving the living people mad with gluttony. Everywhere he turned, there were more frightening visions.
The giant music-box theater, which had turned out to be inside a town, which was really a bigger theater, revealed itself to be a city, swirling and swarming with bloated people in insane colors with masks like clock faces. Hunkered in doorways, like beggars, were rodent forms and filthy derelicts with the tails of lizards. There were trains that whisked by as if they ran on light, and carriages without horses or oxen that looked like eggs or beetles. In the sky overhead were flying machines like those he had envisaged, but inside them were just more people eating and drinking. The women wore next to nothing, and yet street-corner preachers set fire to random passersby. Bodies and baubles hung from the street lanterns—a murder and a sale of some kind were transacted on every corner. And, all the time, Lloyd told himself,