Enigmatic Pilot_ A Tall Tale Too True - Kris Saknussemm [27]
A blasted and recently repaired boiler (which had scalded a billy goat and one of the crew members) required continuous adjustments and seemed to inhale fuel, so that there were regular and lengthy interruptions to the journey to allow for wooding parties to scour the shoreline. One of the passengers, who volunteered to assist with such an expedition in order to reduce his fare, was stricken with heart failure and had to be buried in a tea chest, while another was bitten by a snake. Then a cow leaped off the deck and tried to swim home to the Illinois side, only to have the bucktoothed lad whose family owned it make the mistake of trying to swim after it. Neither the hefty milk cow nor the overbite boy was seen again.
The fine packet boats operating between St. Paul and New Orleans were famous for their excellent cuisine. This was not one of those. Salt pork, mutton, and boiled potatoes and beans were the usual fare, although wine, stout, porter, and brandy could be found in abundance. Like stage drivers, steamboat captains tried to make the most of the daylight, pulling in toward shore when darkness fell. Dead trees, snags, and sandbars, not to mention smaller craft without illumination, posed a constant threat to travel at night, although most captains would run at reduced steam if the moon or starlight allowed. The crew was a blind barrel mix of Irish, German, blacks, and those St. Ives referred to as “pure muddy.” Fleets of rafts, with their cook shanties puffing out greasy odors of fried fish, could be seen en route to the sawmills. Not infrequently, what appeared to be the body of a man or a gassy inflated horse drifted by and, once, a dollhouse with a ginger cat aboard.
Travelers flowed back and forth on the gangplanks in chimney hats or swishing skirts. One afternoon the men had a shooting competition on the top deck, blasting at buzzards circling the remains of a runaway slave who had washed up on a sandbar. The weather was growing warmer and the bugs thicker, sultry nights becoming humid with whiskey and cigar smoke, perfume dabbed to wrists and crotches.
St. Ives was well acquainted with the ship’s chief entertainer, a singer named Viola Mercy, a tall buxom brunette whose lavender-scented pantaloons filled Lloyd’s mind with notions and cravings of a new and exquisitely painful kind. Thrice a day she performed in the dining saloon of the Fidèle, which was laid out around a dance-hall stage with a heavy velvet aubergine curtain. And thrice a day she would sing a song that the boy grew to love.
There’s a place I know
Where I always go
There to dream of you
And hope that you’ll be true
And someday I pray
That you’ll find your way
Back to the secret place
Within my heart.
He became obsessed with the songstress and her exotic apparel: ostrich feathers, silk stockings, lace brassieres. How he wanted to infiltrate her private domain and experience the majesty of this dark beauty. (In truth, she kept a flask of rye in her garter belt and had done as much singing on her back as she had onstage.)
Meanwhile, St. Ives opened the boy’s eyes to the larger world, relating to him the news of the day, with its cults of gangsterism becoming political forces—Tammany Hall warring with the Bowery Boys in New York, angry hordes descending on Mormons, Protestant secret societies with names like the Supreme Order of the Star-Spangled Banner murdering Catholics, abolitionists dragged through the streets, slave families broken, the women raped, the men castrated and lynched. St. Ives had dire warnings about what lay ahead, although he himself took no sides and indeed was chiefly concerned about how such turmoil might be turned to personal advantage. “In confusion there is profit, my young friend,” he told Lloyd.
More to the boy’s liking, however, the gambler let him examine the metal hand. The plates that formed the exterior were made of polished steel, but so well forged that they provided exceptional strength without the corresponding weight. Inside lurked the potential for a fantastic array of implements, from the throat-cutting