Episodes In Van Bibber's Life [9]
he cried, "I loved that child's mother to the day of her death. I loved that woman then, and, God help me! I love that woman still."
He covered his face with his hands, and sat leaning forward and breathing heavily as he rocked himself to and fro. Van Bibber still stood looking gravely out at the lights that picketed the black surface of the city. He was to all appearances as unmoved by the outburst of feeling into which the older man had been surprised as though it had been something in a play. There was an unbroken silence for a moment, and then it was Van Bibber who was the first to speak.
"I came here, as you say, on impulse," he said; "but I am glad I came, for I have your decisive answer now about the little girl. I have been thinking," he continued, slowly, "since you have been speaking, and before, when I first saw her dancing in front of the footlights, when I did not know who she was, that I could give up a horse or two, if necessary, and support this child instead. Children are worth more than horses, and a man who saves a soul, as it says"--he flushed slightly, and looked up with a hesitating, deprecatory smile--"somewhere, wipes out a multitude of sins. And it may be I'd like to try and get rid of some of mine. I know just where to send her; I know the very place. It's down in Evergreen Bay, on Long Island. They are tenants of mine there, and very nice farm sort of people, who will be very good to her. They wouldn't know anything about her, and she'd forget what little she knows of this present life very soon, and grow up with the other children to be one of them; and then, when she gets older and becomes a young lady, she could go to some school--but that's a bit too far ahead to plan for the present; but that's what I am going to do, though," said the young man, confidently, and as though speaking to himself. "That theatrical boarding-house person could be bought off easily enough," he went on, quickly, "and Lester won't mind letting her go if I ask it,--and--and that's what I'll do. As you say, it's a good deal of an experiment, but I think I'll run the risk."
He walked quickly to the door and disappeared in the hall, and then came back, kicking the door open as he returned, and holding the child in his arms.
"This is she," he said, quietly. He did not look at or notice the father, but stood, with the child asleep in the bend of his left arm, gazing down at her. "This is she," he repeated; "this is your child."
There was something cold and satisfied in Van Bibber's tone and manner, as though he were congratulating himself upon the engaging of a new groom; something that placed the father entirely outside of it. He might have been a disinterested looker-on.
"She will need to be fed a bit," Van Bibber ran on, cheerfully. "They did not treat her very well, I fancy. She is thin and peaked and tired-looking." He drew up the loose sleeve of her jacket, and showed the bare forearm to the light. He put his thumb and little finger about it, and closed them on it gently. "It is very thin," he said. "And under her eyes, if it were not for the paint," he went on, mercilessly, "you could see how deep the lines are. This red spot on her cheek, he said, gravely, "is where Mary Vane kissed her to-night, and this is where Alma Stantley kissed her, and that Lee girl. You have heard of them, perhaps. They will never kiss her again. She is going to grow up a sweet, fine, beautiful woman--are you not?" he said, gently drawing the child higher up on his shoulder, until her face touched his, and still keeping his eyes from the face of the older man. "She does not look like her mother," he said; "she has her father's auburn hair and straight nose and finer-cut lips and chin. She looks very much like her father. It seems a pity," he added, abruptly. "She will grow up," he went on, "without knowing him, or who he is--or was, if he should die. She will never speak with him, or see him, or take his hand. She may pass him some day on the street and will not know him, and he will not
He covered his face with his hands, and sat leaning forward and breathing heavily as he rocked himself to and fro. Van Bibber still stood looking gravely out at the lights that picketed the black surface of the city. He was to all appearances as unmoved by the outburst of feeling into which the older man had been surprised as though it had been something in a play. There was an unbroken silence for a moment, and then it was Van Bibber who was the first to speak.
"I came here, as you say, on impulse," he said; "but I am glad I came, for I have your decisive answer now about the little girl. I have been thinking," he continued, slowly, "since you have been speaking, and before, when I first saw her dancing in front of the footlights, when I did not know who she was, that I could give up a horse or two, if necessary, and support this child instead. Children are worth more than horses, and a man who saves a soul, as it says"--he flushed slightly, and looked up with a hesitating, deprecatory smile--"somewhere, wipes out a multitude of sins. And it may be I'd like to try and get rid of some of mine. I know just where to send her; I know the very place. It's down in Evergreen Bay, on Long Island. They are tenants of mine there, and very nice farm sort of people, who will be very good to her. They wouldn't know anything about her, and she'd forget what little she knows of this present life very soon, and grow up with the other children to be one of them; and then, when she gets older and becomes a young lady, she could go to some school--but that's a bit too far ahead to plan for the present; but that's what I am going to do, though," said the young man, confidently, and as though speaking to himself. "That theatrical boarding-house person could be bought off easily enough," he went on, quickly, "and Lester won't mind letting her go if I ask it,--and--and that's what I'll do. As you say, it's a good deal of an experiment, but I think I'll run the risk."
He walked quickly to the door and disappeared in the hall, and then came back, kicking the door open as he returned, and holding the child in his arms.
"This is she," he said, quietly. He did not look at or notice the father, but stood, with the child asleep in the bend of his left arm, gazing down at her. "This is she," he repeated; "this is your child."
There was something cold and satisfied in Van Bibber's tone and manner, as though he were congratulating himself upon the engaging of a new groom; something that placed the father entirely outside of it. He might have been a disinterested looker-on.
"She will need to be fed a bit," Van Bibber ran on, cheerfully. "They did not treat her very well, I fancy. She is thin and peaked and tired-looking." He drew up the loose sleeve of her jacket, and showed the bare forearm to the light. He put his thumb and little finger about it, and closed them on it gently. "It is very thin," he said. "And under her eyes, if it were not for the paint," he went on, mercilessly, "you could see how deep the lines are. This red spot on her cheek, he said, gravely, "is where Mary Vane kissed her to-night, and this is where Alma Stantley kissed her, and that Lee girl. You have heard of them, perhaps. They will never kiss her again. She is going to grow up a sweet, fine, beautiful woman--are you not?" he said, gently drawing the child higher up on his shoulder, until her face touched his, and still keeping his eyes from the face of the older man. "She does not look like her mother," he said; "she has her father's auburn hair and straight nose and finer-cut lips and chin. She looks very much like her father. It seems a pity," he added, abruptly. "She will grow up," he went on, "without knowing him, or who he is--or was, if he should die. She will never speak with him, or see him, or take his hand. She may pass him some day on the street and will not know him, and he will not