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Everybody Loves Our Town_ An Oral History of Grunge - Mark Yarm [0]

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Copyright © 2011 by Mark Yarm


All rights reserved.

Published in the United States by Crown Archetype, an imprint of the

Crown Publishing Group, a division of Random House, Inc., New York.

www.crownpublishing.com

Crown Archetype with colophon is a trademark of Random House, Inc.

Frontmatter photos: U-Men roadies Mike Tucker (left) and

Tommy Simpson pouring lighter fluid into the moat, and the

U-Men performing behind a wall of flames, both shot at the Mural

Amphitheatre, Seattle, September 1, 1985; © Valerie Broatch

Mudhoney “Overblown” lyrics on page vii copyright © 1992 Better

Than Your Music; used by permission.

The interviews contained herein have been edited for clarity.

Library of Congress Cataloging-in-Publication Data

Yarm, Mark.

Everybody loves our town : an oral history of Grunge / Mark Yarm.

p. cm.

1. Grunge music—United States—History and criticism. 2. Grunge

groups—Interviews. I. Title.

ML3534.3.Y37 2011

781.66—dc22 2011009192

eISBN: 978-0-307-46445-3

Photo research by Christine Reilly

jacket design by Maria Elias

Jacket photograph by Ed Sirrs

v3.1

To Bonnie and Dad


In loving memory of Clair Yarm

Everybody loves us

Everybody loves our town

That’s why I’m thinking lately

The time for leaving is now

—Mudhoney, “Overblown” (1992)

Cover

Title Page

Copyright

Dedication

Epigraph

INTRODUCTION

CHAPTER 1:

SOMETHING CRAZY’S GONNA HAPPEN

CHAPTER 2:

THE GOSPEL ACCORDING TO BUZZ

CHAPTER 3:

HELLO, SEATTLE!

CHAPTER 4:

THE MOST BEAUTIFUL DANCE

CHAPTER 5:

SCREAMING LIFE

CHAPTER 6:

LEAVING HOME

CHAPTER 7:

A THIRD SOUND

CHAPTER 8:

THE FOUR WEIRDEST GUYS IN ELLENSBURG

CHAPTER 9:

GOING OUT OF BUSINESS SINCE 1988

CHAPTER 10:

SOUNDS LIKE THROW UP LOOKS

CHAPTER 11:

WE’RE RIPPING YOU OFF BIG TIME!

CHAPTER 12:

TOUCH ME I’M SICK

CHAPTER 13:

HE WHO RIDES THE PONY

CHAPTER 14:

BANDS THAT WILL MAKE MONEY

CHAPTER 15:

THE MUSIC BANK

Photo Insert 1

CHAPTER 16:

WHERE’S THE GROG?

CHAPTER 17:

CREATE YOUR OWN MYTH

CHAPTER 18:

INCOMPATIBLE INDIVIDUALS

CHAPTER 19:

ALL ABOUT KICKS

CHAPTER 20:

SMELL THE MAGIC

CHAPTER 21:

RAISE YOUR CANDLE HIGH

CHAPTER 22:

A BRIGHT, CLEAR SOUND

CHAPTER 23:

GOOD LUCK IN YOUR FUTURE ENDEAVORS

CHAPTER 24:

SICK OF CRYING

CHAPTER 25:

THE FINAL COUNTDOWN

CHAPTER 26:

PUNK BREAKS

CHAPTER 27:

ON THE CORNER OF DOPEY AND GOOFY

CHAPTER 28:

WILD OUTBURSTS IN PUBLIC PLACES

CHAPTER 29:

BILE HOG!

CHAPTER 30:

THE EMPEROR’S NEW FLANNEL

Photo Insert 2

CHAPTER 31:

THE OLD IMMIGRANTS HATE THE NEW IMMIGRANTS

CHAPTER 32:

STRANGE LOVE

CHAPTER 33:

INTO THE NIGHT

CHAPTER 34:

FUCK HOLLYWOOD!

CHAPTER 35:

A PROBLEM WITH WEIGHTS AND MEASURES

CHAPTER 36:

RADIO FRIENDLY UNIT SHIFTERS

CHAPTER 37:

NOTHING WAS THE SAME

CHAPTER 38:

ALL THE RAGE?

CHAPTER 39:

IN THE ROCKET

CHAPTER 40:

SITTING IN THE RUBBLE

CHAPTER 41:

FUCKING GREAT PRODUCTS

CHAPTER 42:

SOME IMPLODING GOING ON

CHAPTER 43:

THE MAD SEASON

CHAPTER 44:

THE BOYS WITH THE MOST CAKE

CHAPTER 45:

THE COUP

CHAPTER 46:

70 PERCENT OFF ALL FLANNEL

CHAPTER 47:

FELL ON BLACK DAYS

CHAPTER 48:

LOST NINE FRIENDS WE’LL NEVER KNOW

CHAPTER 49:

MY FRIEND, BUT NOT MY FRIEND

EPILOGUE:

THE COSMIC BROTHERHOOD OF ROCK

ACKNOWLEDGMENTS

CAST OF CHARACTERS

NOTES

About the Author

First, let’s get that word out of the way. Grunge. Yes, this is a book about grunge. The term that bedeviled and, let’s face it, benefited (at least temporarily) many a Seattle rock musician in the early to mid-1990s. I cannot count how many times, when I described to an interviewee what exactly it was I was working on, I’d get back, “I hate that word …” And here they would go one of two ways: spit out “that word” grunge or insist, “I don’t even like to say it,” as if uttering that one syllable would somehow validate a now decades-old coinage. (For a thorough, yet inconclusive, probe into how grunge got its name, see chapter 17.) Others reacted to the term thusly: “rubs me raw,” “a marketing tool,” “it’s all just music,” “fuckin’ concocted bullshit.” And this: “When I

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