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By Root 1600 0

white cardboard panel with an outline of the vital parts of a human body. The shape resolved itself into the rough size and configuration of a farmer's steel milk can, with the letter Q in the center, about where the heart would be. He attached the target to the spring-clip on the traveler, set the distance for thirty feet, and hit the travel switch. As it moved downrange, he let his thoughts idle, contemplating the sports page and the new Orioles lineup in spring-training camp. The range hardware was programmable. On arriving at its destination, the target turned sideways, and became nearly invisible. Without looking, O'Day dialed the timer to a random setting and continued to look downrange, his hands at his side. Now his thinking changed. There was a Bad Guy there. A serious Bad Guy. Convicted felon, now cornered. A Bad Guy who had told informants that he'd never go back inside, never be taken alive. In his long career, Inspector O'Day had heard that one many times, and whenever possible he'd given the subject the opportunity to keep his word-but they all folded, dropped their gun, wet their pant's, or even broke down into tears when confronted by real danger instead of the kind more easily considered over beers or a joint. But not this time. This Bad Guy was serious. He had a hostage. A child, perhaps. Maybe even his own little Megan. The thought made his eyes narrow. A gun to her head. In the movies, the Bad Guy would tell you to drop your weapon, but if you did that, all you were guaranteed was a dead cop and a dead hostage, and so you talked to your Bad Guy. You made yourself sound calm and reasonable and conciliatory, and you waited for him to relax, just a little, just enough to move the gun away from the hostage's head. It might take hours, but sooner or later-

- the timer clicked, and the target card turned to face the agent. O'Day's right hand moved in a blur, snatching the pistol from its holster. Simultaneously, his right foot moved backward, his body pivoted and crouched slightly, and the left hand joined the right on the rubber grips when the gun was halfway up. His eyes acquired the gunsights at the bottom of his peripheral vision, and the moment they were aligned with the head of the Q target, his finger depressed the trigger twice, firing so fast that both ejected cartridge cases were in the air at the same time. It was called a double-tap, and O'Day had practiced it for so many years that the sounds almost blended in the air, and the two-shot echo was just returning from the steel backstop when the empty cases pinged off the concrete floor, but by then there were two holes in the head of the target, less than an inch apart, between and just above where the eyes would be. The target flipped side-on, less than a second after it had turned, rather nicely simulating the fall of the subject to the ground.

Yes.

I think you got 'em there, Tex.

O'Day turned, startled from his fantasy by a familiar voice. Morning, Director.

Hey, Pat. Murray yawned, a set of ear protectors dangling in his left hand. You're pretty fast. Hostage scenario?

I try to train for the worst possible situation.

Your little girl. Murray nodded. They all did that, because the hostage had to be important enough in your mind. Well, you got him. Show me again, the Director ordered. He wanted to watch O'Day's technique. There was always something to learn. After the second iteration, there was one ragged hole in the target's notional forehead. It was actually rather intimidating for Murray, though he considered himself an expert marksman. I need to practice more.

O'Day relaxed his routine now. If you could do it with your first shot of the day-and he'd done it with all four-you still had it figured out. Two minutes and twenty shots later, the target's head was an annulus. Murray, in the next lane, was busy in the standard Jeff Cooper technique, two rapid shots into the chest, followed by a slower aimed round into the head. When both were satisfied that their targets were dead, it was time to contemplate the day.

Anything new? the Director