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Faber lay flat on his stomach and reached down, under David’s oilskin, to the breast pocket of his jacket. He sighed in relief as his fingers reached the film can and carefully withdrew it. He looked at the films; they all seemed to be there. He put the can in the pocket of his jacket, buttoned the flap, and reached down to David again. No more mistakes.

He took hold of the bush David was clinging to and uprooted it with a savage jerk.

David screamed, “No!” and scrabbled desperately for grip as his other hand slipped inexorably out of the crack in the rock.

“It’s not fair,” he screamed, and then his hand came away from the crevice.

He seemed to hang in midair for a moment, then dropped bouncing twice against the cliff on his way down, until he hit the water with a splash.

Faber watched for a while to make sure he did not come up again. “Not fair? Not fair? Don’t you know there’s a war on?”

He looked down at the sea for some minutes. Once he thought he saw a flash of yellow oilskin on the surface but it was gone before he could focus on it. There was just the sea and the rocks.

Suddenly he felt terribly tired. His injuries penetrated his consciousness one by one: the damaged foot, the bump on his head, the bruises all over his face. David Rose had been something of a fool, also a braggart and a poor husband, and he had died screaming for mercy; but he had been a brave man, and he had died for his country—which had been his contribution.

Faber wondered whether his own death would be as good.

He turned away from the cliff edge and walked back toward the overturned jeep.

28

PERCIVAL GODLIMAN FELT REFRESHED, DETERMINED, even—rare for him—inspired.

When he reflected on it, this made him uncomfortable. Pep talks were for the rank-and-file, and intellectuals believed themselves immune from inspirational speeches. Yet, although he knew that the great man’s performance had been carefully scripted, the crescendos and diminuendos of the speech predetermined like a symphony, nevertheless it had worked on him, as effectively as if he had been the captain of the school cricket team hearing last-minute exhortations from the games master.

He got back to his office itching to do something.

He dropped his umbrella in the umbrella stand, hung up his wet raincoat and looked at himself in the mirror on the inside of the cupboard door. Without doubt something had happened to his face since he became one of England’s spy-catchers. The other day he had come across a photograph of himself taken in 1937, with a group of students at a seminar in Oxford. In those days he actually looked older than he did now: pale skin, wispy hair, the patchy shave and ill-fitting clothes of a retired man. The wispy hair had gone; he was now bald except for a monkish fringe. His clothes were those of a business executive, not a teacher. It seemed to him—he might, he supposed, have been imagining it—that the set of his jaw was firmer, his eyes were brighter, and he took more care shaving.

He sat down behind his desk and lit a cigarette. That innovation was not welcome; he had developed a cough, tried to give it up, and discovered that he had become addicted. But almost everybody smoked in wartime Britain, even some of the women. Well, they were doing men’s jobs—they were entitled to masculine vices. The smoke caught in Godliman’s throat, making him cough. He put the cigarette out in the tin lid he used for an ashtray (crockery was scarce).

The trouble with being inspired to perform the impossible, he reflected, was that the inspiration gave you no clues to the practical means. He recalled his college thesis about the travels of an obscure medieval monk called Thomas of the Tree. Godliman had set himself the minor but difficult task of plotting the monk’s itinerary over a five-year period. There had been a baffling gap of eight months when he had been either in Paris or Canterbury but Godliman had been unable to determine which, and this had threatened the value of the whole project. The records