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Fable, A - William Faulkner [186]

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sentries-American French and British-flanking the door, and in the next one the car turned through the gates and now they saw the whole courtyard cluttered and massed with motorcycles and staff-cars bearing the three different devices. The car didn't stop there though. Darting its way among the other vehicles at a really headlong speed, it dashed on around to the extreme rear of the baroque and awesome pile ('Now what?' the one in the front seat said to the lowan who was still leaning out toward the building's dizzy crenellated wheel. 'Did you expect them to invite us in by the front?'

'It's all right,' the lowan said. That's how I thought it would look,') to where an American military policeman standing beside a sort of basement areaway was signalling them with a flashlight. The car shot up beside him and stopped. He opened the door. Though, since the lowan was now engaged in trying to refold his map, the American private in the front seat was the first to get out. His name was Buchwald. His grandfather had been rabbi of a Minsk synagogue until a Cossack sergeant beat his brains out with the shod hooves of a horse. His father was a tailor; he himself was born on the fourth floor of a walk-up, cold-water Brooklyn tenement. Within two years after the passage of the American prohibition law, with nothing in his bare hands but a converted army-surplus Lewis machine gun, he was to become czar of a million-dollar em-pire covering the entire Atlantic coast from Canada to whatever Florida cove or sandspit they were using that night. He had pale, almost colorless eyes; he was hard and lean too now though one day a few months less than ten years from now, lying in his ten-thousand-dollar casket banked with half that much more in cut flowers, he would look plump, almost fat. The military policeman leaned into the back of the car.

'Come on, come on,' he said. The lowan emerged, carrying the clumsily folded map in one hand and slapping at his pocket with the other. He feinted past Buchwald like a football halfback and darted to the front of the car and held the map into the light of one of the headlamps, still slapping at his pocket.

'Durn!' he said. 'I've lost my pencil,' The third American private was now out of the car. He was a Negro, of a complete and unre-lieved black. He emerged with a sort of ballet-dancer elegance, not mincing, not foppish, not maidenly but rather at once masculine and girlish or perhaps better, epicene, and stood not quite studied while the lowan spun and feinted this time through all three of Thursday Night them-Buchwald, the policeman, and the Negro-and carrying his now rapidly disintegrating map plunged his upper body back into the car, saying to the policeman: 'Lend me your flashlight. I must have dropped it on the floor,'

'Sweet crap,' Buchwald said. 'Come on,'

'It's my pencil,' the lowan said. 'I had it at that last big town we passed-what was the name of it?'

'I can call a sergeant,' the policeman said. 'Am I going to have to?'

'Nah,' Buchwald said. He said to the lowan: 'Come on. They've probably got a pencil inside. They can read and write here too,' The lowan backed out of the car and stood up. He began to refold his map. The policeman leading, they crossed to the areaway and descended into it, the lowan following with his eyes the building's soaring upward swoop.

'Yes,' he said. 'It sure does,' They descended steps, through a door; they were in a narrow stone passage; the policeman opened a door and they entered an anteroom; the policeman closed the door behind them. The room contained a cot, a desk, a telephone, a chair. The lowan went to the desk and began to shift the papers on it.

Tou can remember you were here without having to check it off, can't you?' Buchwald said.

'It aint for me,' the lowan said, tumbling the papers through. 'If s for the girl I'm engaged to. I promised her-'

'Does she like pigs too?' Buchwald said.

'-what?' the lowan said. He stopped and turned his head; still half stooped over the desk, he gave Buchwald his mild open reliant and alarmless look. 'Why not?'

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