Falling Man_ A Novel - Don Delillo [17]
Then Martin eased off, voice going soft again.
“All right, yes, it may be true.”
“Blame us. Blame us for their failures.”
“All right, yes. But this is not an attack on one country, one or two cities. All of us, we are targets now.”
They were still talking ten minutes later when Lianne left the room. She stood in the bathroom looking in the mirror. The moment seemed false to her, a scene in a movie when a character tries to understand what is going on in her life by looking in the mirror.
She was thinking, Keith is alive.
Keith had been alive for six days now, ever since he appeared at the door, and what would this mean to her, what would this do to her and to her son?
She washed her hands and face. Then she went to the cabinet and got a fresh towel and dried herself. After she tossed the towel in the hamper she flushed the toilet. She didn’t flush the toilet to make the others think she’d left the living room for a compelling reason. The flushing toilet wasn’t audible in the living room. This was for her own pointless benefit, flushing. Maybe it was meant to mark the end of the interval, to get her out of here.
What was she doing here? She was being a child, she thought.
The talk had begun to fade by the time she returned. He had more to say, Martin, but possibly thought this was not the moment, not now, too soon, and he wandered over to the Morandi paintings on the wall.
It was only seconds later that Nina dropped into a light sleep. She was taking a round of medications, a mystical wheel, the ritualistic design of the hours and days in tablets and capsules, in colors, shapes and numbers. Lianne watched her. It was difficult to see her fitted so steadfastly to a piece of furniture, resigned and unstirring, the energetic arbiter of her daughter’s life, ever discerning, the woman who’d given birth to the word beautiful, for what excites admiration in art, ideas, objects, in the faces of men and women, the mind of a child. All this dwindling to a human breath.
Her mother wasn’t dying, was she? Lighten up, she thought.
She opened her eyes, finally, and the two women looked at each other. It was a sustained moment and Lianne did not know, could not have put into words what it was they were sharing. Or she knew but could not name the overlapping emotions. It was what there was between them, meaning every minute together and apart, what they’d known and felt and what would come next, in the minutes, days and years.
Martin stood before the paintings.
“I’m looking at these objects, kitchen objects but removed from the kitchen, free of the kitchen, the house, everything practical and functioning. And I must be back in another time zone. I must be even more disoriented than usual after a long flight,” he said, pausing. “Because I keep seeing the towers in this still life.”
Lianne joined him at the wall. The painting in question showed seven or eight objects, the taller ones set against a brushy slate background. The other items were huddled boxes and biscuit tins, grouped before a darker background. The full array, in unfixed perspective and mostly muted colors, carried an odd spare power.
They looked together.
Two of the taller items were dark and somber, with smoky marks and smudges, and one of them was partly concealed by a long-necked bottle. The bottle was a bottle, white. The two dark objects, too obscure to name, were the things that Martin was referring to.
“What do you see?” he said.
She saw what he saw. She saw the towers.
5
He entered the park at the Engineers’ Gate, where runners stretched and bent before going out on the track. The day was warm and still and he walked along the road that ran parallel to the bridle path. There was somewhere to go but he was in no hurry to get there. He watched an elderly woman on a bench who was thinking distantly of something, holding a pale green apple