Familiar Studies of Men & Books [106]
any one so keenly to enjoy, without some greater power to understand. That he did not like Shakespeare as an artist for the stage may be a fault, but it is not without either parallel or excuse. He certainly admired him as a poet; he was the first beyond mere actors on the rolls of that innumerable army who have got "To be or not to be" by heart. Nor was he content with that; it haunted his mind; he quoted it to himself in the pages of the Diary, and, rushing in where angels fear to tread, he set it to music. Nothing, indeed, is more notable than the heroic quality of the verses that our little sensualist in a periwig chose out to marry with his own mortal strains. Some gust from brave Elizabethan times must have warmed his spirit, as he sat tuning his sublime theorbo. "To be or not to be. Whether 'tis nobler" - "Beauty retire, thou dost my pity move" - "It is decreed, nor shall thy fate, O Rome;" - open and dignified in the sound, various and majestic in the sentiment, it was no inapt, as it was certainly no timid, spirit that selected such a range of themes. Of "Gaze not on Swans," I know no more than these four words; yet that also seems to promise well. It was, however, on a probable suspicion, the work of his master, Mr. Berkenshaw - as the drawings that figure at the breaking up of a young ladies' seminary are the work of the professor attached to the establishment. Mr. Berkenshaw was not altogether happy in his pupil. The amateur cannot usually rise into the artist, some leaven of the world still clogging him; and we find Pepys behaving like a pickthank to the man who taught him composition. In relation to the stage, which he so warmly loved and understood, he was not only more hearty, but more generous to others. Thus he encounters Colonel Reames, "a man," says he, "who understands and loves a play as well as I, and I love him for it." And again, when he and his wife had seen a most ridiculous insipid piece, "Glad we were," he writes, "that Betterton had no part in it." It is by such a zeal and loyalty to those who labour for his delight that the amateur grows worthy of the artist. And it should be kept in mind that, not only in art, but in morals, Pepys rejoiced to recognise his betters. There was not one speck of envy in the whole human-hearted egotist.
RESPECTABILITY.
When writers inveigh against respectability, in the present degraded meaning of the word, they are usually suspected of a taste for clay pipes and beer cellars; and their performances are thought to hail from the OWL'S NEST of the comedy. They have something more, however, in their eye than the dulness of a round million dinner parties that sit down yearly in old England. For to do anything because others do it, and not because the thing is good, or kind, or honest in its own right, is to resign all moral control and captaincy upon yourself, and go post-haste to the devil with the greater number. We smile over the ascendency of priests; but I had rather follow a priest than what they call the leaders of society. No life can better than that of Pepys illustrate the dangers of this respectable theory of living. For what can be more untoward than the occurrence, at a critical period and while the habits are still pliable, of such a sweeping transformation as the return of Charles the Second? Round went the whole fleet of England on the other tack; and while a few tall pintas, Milton or Pen, still sailed a lonely course by the stars and their own private compass, the cock- boat, Pepys, must go about with the majority among "the stupid starers and the loud huzzas."
The respectable are not led so much by any desire of applause as by a positive need for countenance. The weaker and the tamer the man, the more will he require this support; and any positive quality relieves him, by just so much, of this dependence. In a dozen ways, Pepys was quite strong enough to please himself without regard for others; but his positive qualities were not co-extensive with the field of conduct; and in many parts of life he followed, with
RESPECTABILITY.
When writers inveigh against respectability, in the present degraded meaning of the word, they are usually suspected of a taste for clay pipes and beer cellars; and their performances are thought to hail from the OWL'S NEST of the comedy. They have something more, however, in their eye than the dulness of a round million dinner parties that sit down yearly in old England. For to do anything because others do it, and not because the thing is good, or kind, or honest in its own right, is to resign all moral control and captaincy upon yourself, and go post-haste to the devil with the greater number. We smile over the ascendency of priests; but I had rather follow a priest than what they call the leaders of society. No life can better than that of Pepys illustrate the dangers of this respectable theory of living. For what can be more untoward than the occurrence, at a critical period and while the habits are still pliable, of such a sweeping transformation as the return of Charles the Second? Round went the whole fleet of England on the other tack; and while a few tall pintas, Milton or Pen, still sailed a lonely course by the stars and their own private compass, the cock- boat, Pepys, must go about with the majority among "the stupid starers and the loud huzzas."
The respectable are not led so much by any desire of applause as by a positive need for countenance. The weaker and the tamer the man, the more will he require this support; and any positive quality relieves him, by just so much, of this dependence. In a dozen ways, Pepys was quite strong enough to please himself without regard for others; but his positive qualities were not co-extensive with the field of conduct; and in many parts of life he followed, with