Fast Food Nation - Eric Schlosser [143]
Around the time that Plauen got its McDonald’s in 1990, a new nightclub opened in a red brick building on the edge of town. “The Ranch” has an American flag and a Confederate flag hanging out front. Inside there’s a long bar, and the walls are decorated with old-fashioned farm implements, saddles, bridles, and wagon wheels. Frieder Stephan, the owner of The Ranch, was inspired by photographs of the American West, but gathered all the items on the walls from nearby farms. The place looks like a bar in Cripple Creek, circa 1895. Before the fall of the Berlin Wall, Frieder Stephan was a disc jockey on an East German tourist ferry. He secretly listened to Creedance Clearwater, the Stones, and the Lovin’ Spoonful. Now forty-nine years old, he is the leading impresario in Plauen’s thriving country-western scene, booking local bands (like the Midnight Ramblers and C.C. Raider) at his club. The city’s country-western fans call themselves “Vogtland Cowboys,” put on their western boots and ten-gallon hats at night, and hit the town, drinking at The Ranch or joining the Square Dance Club at a bar called the White Magpie. The Square Dance Club is sponsored by Thommy’s Western Store on Friedrich Engels Avenue. Plauen now has a number of small western-wear shops like Thommy’s that sell imported cowboy boots, cowboy posters, fancy belt buckles, work shirts with snaps, and Wrangler jeans. While teenagers in Colorado Springs today could not care less about cowboys, kids in Plauen are sporting bolo ties and cowboy hats.
Every Wednesday night, a few hundred people gather at The Ranch for line dancing. Members of Plauen’s American Car Club pull up in their big Ford and Chevy trucks. Others come from miles away, dressed in their western best, ready to dance. Most of them are working class, and many are unemployed. Their ages range from seven years old to seventy. If somebody doesn’t know how to line-dance, a young woman named Petra gives lessons. People wear their souvenir T-shirts from Utah. They smoke Marlboros and drink beer. They listen to Willie Nelson, Garth Brooks, Johnny Cash — and they dance, kicking up their boots, twirling their partners, waving their cowboy hats in the air. And for a few hours the spirit of the American West fills this funky bar deep in the heart of Saxony, in a town that has seen too much history, and the old dream lives on, the dream of freedom without limits, self-reliance, and a wide-open frontier.
epilogue: have it your way
WORLDS AWAY from The Ranch, Dale Lasater stands in a corral full of huge bulls, feeding them treats from his hand. Be-hind him on this warm spring day, the Rockies are still white with snow. Lasater is in his early fifties, with a handlebar mustache and wire-rimmed glasses. He wears worn-out jeans and boots, and a well-ironed, button-down shirt, looking part-cowboy, part-Ivy Leaguer. The bulls that crowd around him seem almost sweet, acting more like a bunch of Ferdinands than like fierce symbols of machismo. They were bred to be gentle, never dehorned, and never roped. The Lasater Ranch occupies about 30,000 acres of shortgrass prairie near the town of Matheson, Colorado. It is a profitable, working ranch that for half a century has not used pesticides, herbicides, poisons, or commercial fertilizers on the land, has not killed local predators such as coyotes, has not administered growth hormones, anabolic steroids, or antibiotics to the cattle. The Lasaters are by no means typical, but have worked hard to change how American beef is produced. Their philosophy of cattle ranching is based upon a simple tenet: “Nature is smart as hell.”
Dale Lasater’s iconoclasm seems bred in the bone. One of his grandfathers headed a Texas cattleman’s association during the early