Fast Food Nation - Eric Schlosser [23]
The fantasy world of McDonaldland borrowed a good deal from Walt Disney’s Magic Kingdom. Don Ament, who gave McDonaldland its distinctive look, was a former Disney set designer. Richard and Robert Sherman — who had written and composed, among other things, all the songs in Disney’s Mary Poppins, Disneyland’s “It’s a Great, Big, Beautiful Tomorrow” and “It’s a Small World, After All” — were enlisted for the first McDonaldland commercials. Ronald McDonald, Mayor McCheese, and the other characters in the ads made McDonald’s seem like more than just another place to eat. McDonaldland — with its hamburger patch, apple pie trees, and Filet-O-Fish fountain — had one crucial thing in common with Disneyland. Almost everything in it was for sale. McDonald’s soon loomed large in the imagination of toddlers, the intended audience for the ads. The restaurant chain evoked a series of pleasing images in a youngster’s mind: bright colors, a playground, a toy, a clown, a drink with a straw, little pieces of food wrapped up like a present. Kroc had succeeded, like his old Red Cross comrade, at selling something intangible to children, along with their fries.
kid kustomers
TWENTY-FIVE YEARS AGO, only a handful of American companies directed their marketing at children — Disney, McDonald’s, candy makers, toy makers, manufacturers of breakfast cereal. Today children are being targeted by phone companies, oil companies, and automobile companies, as well as clothing stores and restaurant chains. The explosion in children’s advertising occurred during the 1980s. Many working parents, feeling guilty about spending less time with their kids, started spending more money on them. One marketing expert has called the 1980s “the decade of the child consumer.” After largely ignoring children for years, Madison Avenue began to scrutinize and pursue them. Major ad agencies now have children’s divisions, and a variety of marketing firms focus solely on kids. These groups tend to have sweet-sounding names: Small Talk, Kid Connection, Kid2Kid, the Gepetto Group, Just Kids, Inc. At least three industry publications — Youth Market Alert, Selling to Kids, and Marketing to Kids Report — cover the latest ad campaigns and market research. The growth in children’s advertising has been driven by efforts to increase not just current, but also future, consumption. Hoping that nostalgic childhood memories of a brand will lead to a lifetime of purchases, companies now plan “cradle-to-grave” advertising strategies. They have come to believe what Ray Kroc and Walt Disney realized long ago — a person’s “brand loyalty” may begin as early as the age of two. Indeed, market research has found that children often recognize a brand logo before they can recognize their own name.
The discontinued Joe Camel ad campaign, which used a hip cartoon character to sell cigarettes, showed how easily children can be influenced by the right corporate mascot. A 1991 study published in the Journal of the American Medical Association found that nearly all of America’s six-year-olds could identify Joe Camel, who was just as familiar to them as Mickey Mouse. Another study found that one-third of the cigarettes illegally sold