Fima - Amos Oz [108]
Say a word. Give me just a little pointer, a hint, a clue, a wink, and I'll get up and go at once. I won't even stop to change my shirt. I'll go right away. Or prostrate myself at your feet. Falling in a trance with wide-open eyes.
Outside, the wind blew stronger. Sheets of water broke against his forehead through the windowpane. The hole in the clouds over the Bethlehem hills, through which the stars had been glimmering, was also dark now. He suddenly fancied he heard a shrill crying far away, as though a baby had been abandoned in a wet blanket on the slope of the wadi. As though he must run immediately and help his mother find her lost child. But he said to himself that it was probably nothing but a creaking shutter. Or one of the neighbors' children. Or a cat freezing in the yard. However hard he stared, all he could see was darkness. No sign appeared, either in the hills or in the faint gleams of light in the cottages scattered on the opposite slope, or in the dark sky. Isn't it unjust, wicked, to call me to go without giving me so much as a tiny clue where? Where the meeting place is. Whether there is or isn't to be a meeting. Whether I am the one who is being called or if it is actually one of my neighbors. Whether there is or isn't something inside this darkness.
And indeed, at that moment Fima sensed the full weight of the darkness lying over Jerusalem. Darkness on steeples and domes, darkness on walls and towers, darkness on stone-walled yards and the groves of ancient pines, on convents and olive trees, on mosques and caves and sepulchers, on tombs of kings and of true and false prophets, darkness on winding alleys, darkness on government buildings and on ruins and gates and on stony fields and thistle-strewn waste plots, darkness on schemes and desires and lunatic visions, darkness on the hills and on the desert.
To the southwest, above the heights surrounding the village of Ein Karem, clouds began to move, as though an unseen hand were drawing a curtain. Just as his mother used to go around the flat drawing all the curtains on winter evenings. One night, when he was three or four, she forgot to draw the curtains in his bedroom. He woke and saw a dim shape outside staring motionlessly at him. A long, thin shape surrounded by a circle of pale light. Then it went out. It materialized again, like moon-touched mist, at the other window. Then it went out again. He remembered how he woke in a panic and sat up in bed crying. His mother came in and leaned over him in a nightdress that had an exquisite scent. She looked long and white and moon-touched too. She held him in her arms and promised him that there was nothing there, that the shape was just a dream. Then she drew both the curtains carefully, rearranged his bedclothes, and kissed him on the forehead. Even though he eventually stopped crying and burrowed under his blanket, even though she stayed on his bed until he fell asleep again, Fima knew, even now, with utter and absolute certainty, that it was not a dream, and that his mother knew it too and had lied to him. Even now, half a century later, he was still convinced that there had been a stranger out there. Not in a dream but outside, on the other side of the windowpanes. And that his mother had seen him too. And he knew that that lie was the worst lie he had ever been told. It was that lie that snatched away his infant brother and doomed his mother to disappear in her prime, and himself to be here and yet not here all these years, seeking in vain what he had not really lost and without the faintest idea what it was or what it looked like, or where to look,