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Fima - Amos Oz [53]

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sort of mixture of agility and clumsiness that is seen in newborn kittens. He called after her, using her Russian name, Lizaveta, her nickname, Liza, and her Hebrew name, Elisheva. To no avail. His mother did not turn around or react. So he began to run. After every seven or eight strides he had to stop, crouch down, and turn off a tap. The taps were made of something soft and slimy to the touch, like a jellyfish, and it was not water that dripped from them but a sticky liquid that felt like jellied fish stock. For all his running, breathlessly, like an overweight child, for all his shouts that echoed dimly in the gray distance, mingled at times with a sharp sound reminiscent of a snapping cord, it was impossible to reduce the fixed distance between him and her. He was overcome by the desperate fear that the pipe would never end. But at the edge of the wood she stopped and turned toward him. Her lovely face was the face of a slain angel. Her forehead glowed in the moonlight. A skeletal pallor covered her sunken cheeks. Her lipless teeth gleamed. Her flaxen plait was made of dry straw. Her eyes were hidden by the dark glasses of the blind. On her religious schoolgirl's uniform he could see dried blood where the wires had pierced her: her knees, her belly, her throat. As though she had been made into a stuffed hedgehog. She shook her head sadly at Fima and said, Look what they've done to you, stupid. She reached up with her dry fingers to remove the dark glasses. Terrified, Fima turned away. And woke up.

13. THE ROOT OF ALL EVIL


WHEN HE HAD FINISHED WRITING IN HIS NOTEBOOK, HE GOT UP and stood by the window. He saw a bright, shiny morning. On a bare branch crouched a cat that had climbed closer to hear what the birds were singing. Don't fall, chum, Fima said affectionately. Even the Bethlehem hills looked as though they were within reach. The nearby buildings and gardens were drenched with cold, clear light. Balconies, garden walls, cars, everything was sparkling clean after the rain that had fallen in the night. Even though he had slept less than five hours, he felt fresh and full of energy. He did his exercises in front of the mirror, arguing all the time with the arrogant woman reading die seven o'clock news on the radio and who was able to declare without hesitation what the Syrians were planning to do and could even suggest a simple countermove. More contemptuous than angry, Fima replied: You can't be very bright, lady. And he saw fit to add, But look how lovely it is outside. The sky is singing a song. How would you like to take a little walk with me? We'll stroll down the street, we'll wander through the woods and wadis, and as we go, I'll explain to you the policy we really ought to be adopting toward the Syrians, and where their Achilles' heel is, and where our own blind spot is.

He went on thinking about the life of this newscaster, who had to leave her warm bed at five-thirty on a cruel winter morning to get to the studio in time to read the news at seven. Suppose one morning her alarm failed to ring? Or suppose it rang on time but she gave in to the temptation to snuggle up in bed for another couple of minutes and then fell asleep again? Or suppose her car wouldn't start because of the cold, as happened every morning to the neighbor with the barking starter? Or perhaps this girl—Fima pictured her: shortish, freckled, with bright laughing eyes and curly fair hair—slept at night on a camp bed at the studio. Like the doctors on night duty at the hospital. How did her husband, the insurance salesman, cope with that? Did he spend his lonely nights imagining all kinds of wild scenes between her and the technicians? There's no one worth envying, Fima decided. Except perhaps Yoezer.

It was because of Yoezer that Fima cut himself shaving. He tried without success to stanch the flow of blood with a piece of toilet paper, with cotton wool, finally with a damp handkerchief. Consequently he forgot to shave the folds of skin under his chin. Which he hated shaving anyway, because they put him in mind of the crop of a

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