Final Analysis - Catherine Crier [120]
Once Chief Lawrence had been excused, Susan questioned several more police witnesses, using their testimonies to present her theory that the sheriff ’s deputies had contaminated the crime scene by pouring water over Felix’s head to make the dried blood look wet and to make his death appear more grisly. “Doesn’t that look like a puddle of water next to my husband’s bloody scalp?” Susan asked Sheriff ’s Deputy Melvin Chamblee, one of the first officers on the scene. According to her, their carelessness and poor police work had resulted in a crime scene that looked much more like murder than the self-defensive struggle that Susan claimed it was.
She accused police of sloppy work, pointing out that officers were not wearing protective booties when they examined the crime scene. In addition, she also insisted that a photo of bloody footprints found at the scene appeared to depict two right feet, side by side. Meanwhile prosecutors maintained the footprint belonged to Susan and was the same size as the shoes found in her bedroom closet.
Dressed stylishly in a tan and green tartan kilt skirt, Susan looked lawyerly as she stood at the podium and thumbed through her papers. Displaying a photo of the bloody footprints found at the crime scene, she asked Chamblee if he saw, “two right feet.”
The deputy studied the photo, and then hesitantly agreed that it was possible, although he could not be sure.
To Susan, Chamblee’s uncertainty confirmed her claims of a tainted crime scene. Seeming pleased with her momentary victory, she shot a triumphant look at Sequeira. The prosecutor sat slouched in his chair, listening to Susan’s questions.
“What size shoe do you use?” he asked the officer on redirect testimony.
“I use size 11,” Chamblee replied.
“Size 11? And that’s men’s?”
The officer smirked, eliciting laughter from the gallery and from jurors. “Yes, men’s.”
“Not that there’s anything wrong with it, but do you wear women’s shoes?” Sequeira asked.
“Not to work,” Chamblee grinned. His response brought a half smile to Susan’s lips.
Nevertheless, the day was not without its challenges. Susan caused a ruckus when she complained that the overhead projector or LMO, pronounced “ELMO,” that both sides used to display photos and other exhibits was blocking her view of Juror Number 10. Susan had been watching this juror and another female juror over several days, seemingly convinced the two were quietly conversing during the proceedings. During a break, and with jurors out of the courtroom, she insisted that Judge Brady change places with her so that Brady could see the way her view was being obstructed.
Ordering Susan to the other side of the courtroom, the judge reluctantly stepped down from the bench and sat at the defense table, continuing her remarkable tolerance for Susan’s antics. Still, she seemed more a ringmaster than an arbiter of the law as she worked to tame Susan. It was almost comical to watch the nearly fifty-year-old woman in the flowing black robe plop down in Susan’s chair and study the jury box.
“Can I sit in the jury box to show you what view I’m not getting,” Susan asked the judge.
“No.”
After sitting in Susan’s seat, Judge Brady determined that her view was fine. But Susan continued to argue, telling the judge that it was a serious violation of her rights if she couldn’t see the jurors’ faces and whether they were communicating with one another—which would be grounds for a mistrial.
“It will be moved after lunch,” Brady finally conceded.
Sequeira could not let the moment pass without voicing his objection. He told the judge that he had gone out his way to let Susan use the “ELMO” and to teach her and her assistant, Valerie, how to operate it. “Now she’s just trying to delay and control!”
“Objection!” Susan shot back. “Prosecutorial misconduct.”
Judge Brady closed her eyes and drew a deep audible breath. But the moment was quickly disrupted by Susan’s finger pointing. Now, she wanted Brady