Final Analysis - Catherine Crier [153]
Compounding her physical inability to murder Felix was the fact that, according to her, a proper investigation never took place. “Anything they found that didn’t fit with murder, they erased.” She contended that police never subpoenaed Felix’s naval records. “I wrote the navy for them and they sent them within two weeks.” In addition, she argued that they didn’t want to locate Felix’s computer “because theoretically it could have shown that Felix was trying to kill me.”
“I made up my husband’s history of violence?” she posed. “Come on.
“According to the D.A., I’m delusional. According to my husband, I was delusional, but I was in charge of our stock portfolio…. This trial has become a witch hunt,” she insisted, anxiously watching the clock in the rear of the courtroom to stay within her time limit. “Am I on trial for saying I predicted the 9/11 terror attacks or am I on trial for murder?”
Susan insisted that even if jurors believed she “is as guilty as a bedbug” they should vote to acquit her because she killed her husband in self-defense.
“Please use your common sense and do not be swayed by the misrepresentations of the district attorney,” she concluded.
And with that, Susan Polk rested her case.
She looked glum as she shuffled back to her seat at the defense table, where a framed photo of a young Eli Polk was propped in front of her. Valerie Harris was seated next to her at the table in a chair traditionally reserved for lawyers. Throughout the proceedings, local attorneys tending to matters in the courthouse had voiced surprise over the court’s decision to allow Harris to sit in that seat. Judge Brady even softened and gave Susan an additional ten minutes to finish her closing remarks that day. But there had been almost nothing traditional about the way Susan’s case had played out over the thirteen weeks. It was on this note that the prosecutor began his last argument to the jury.
“There’s two sets of rules,” Sequeira said during his rebuttal remarks. “There’s one set for Susan Polk and one set for the rest. She lives by her own rules and always has.” He noted that Susan had originally claimed that the sexual relationship with Felix began when she was sixteen. On the stand, she now realized that she was actually fourteen at the time. “The problem is, it’s just like everything else in this case. Sixteen wasn’t good enough. Then fifteen wasn’t good enough. Now it’s fourteen.
“And now she’s being raped and drugged.
“It doesn’t matter, if it was twenty, it’s still wrong.” Sequeira maintained. “But it’s never good enough.”
Walking to the overhead projector, the prosecutor replaced Susan’s childhood photo with a photo of the crime scene. He told jurors, “Susan was not a captive. She was free to leave whenever she wanted. Felix even made arrangements for travel out of the country.”
Reading from Susan’s statements to police during her interview at headquarters that first night, Sequeira strode around the courtroom and replayed her repeated claims of innocence. He also discussed her suicide attempt at Yosemite National Park, her revelations about her marriage at her fortieth birthday party and her theory about Felix’s death.
As he spoke, Susan could not quell the urge to jump up and object to his remarks, but the judge threatened her with sanctions if her protests continued. Once she settled back in her seat, Sequeira laid out his theory of how the murder unfolded. “She did it by surprise,” he said, charging that Susan had the knife with her when she went to speak with Felix in the guesthouse that night. The prosecutor noted that defense pathologist John Cooper had contended the knife used in the assault would not be the weapon of choice to commit a murder. It was too small.
“Oh really?” Sequeira said, raising his arm in the air with dramatic flourish. Standing beneath the judge’s bench, he rapped three times on the ledge of the desk, pretending he was gripping a large knife as Felix answered the door. “‘Can I come in?’” he said, mimicking Susan. “And she’s standing there