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First Daughter - Eric van Lustbader [104]

By Root 908 0
street signs, he'd be completely lost. He pushes a button on the dashboard, and James Brown starts shouting "It's a Man's Man's Man's World." Singing along, he thinks fleetingly of how far he's come since "California Dreamin' " sent ugly shivers up his spine.

He notices that the Chevy is heading more or less toward the reservoir area and wonders who it is that Gus recruited to take the Marmoset's place. It's an unenviable position, one that almost certainly requires a higher degree of compensation than Gus is used to paying. But then, that expense will no doubt be borne by Stanz and the Metro Police.

They are traveling north on Georgia Avenue NW, overshooting the reservoir. When Stanz's Chevy turns right on Rock Creek Church Road, Jack switches off his lights, feeling he knows where the rendezvous with Gus's snitch is going to take place. His hunch is confirmed when he follows the Chevy onto Marshall, and then Pershing Drive. They are now skirting the west side of the flat black expanse of the U.S. Soldiers' & Airmen's Golf Course. Bare trees loom up in groups that no doubt vexed the duffers making their slow rounds during daylight hours. Now, however, the trees have the course to themselves.

After flicking its headlights twice, the Chevy rolls to a stop on a section of road hemmed in on both sides by trees. Immediately, Jack sees Stanz and Gus emerge from the Chevy. Stanz has kept the headlights on, and the two men follow the twin beams that cut through eerie shadows, straight down the road. Pale moths flutter, spending themselves in the glare.

Cautiously, Jack emerges from the Continental, making sure the door swings shut noiselessly but doesn't latch. Keeping to the side of the road, he creeps from tree to tree, stepping from shadow to shadow to make sure he won't be seen.

He's close enough now to see that Stanz and Gus have been joined by a male figure. He stands just outside the beams of light, and Jack moves forward to try to get a look at his face. He still isn't sure why he felt compelled to follow Gus. He knows he's worried. Someone murdered the Marmoset because he got too close to whoever killed those two men at the McMillan Reservoir. Jack read the news story, was mildly surprised to find that there was no information about who the victims were. The article said that the identities were being withheld pending notification of the respective next of kin. But in the increasingly smaller follow-ups, no mention was ever made of the victims' names.

As he inches closer, Jack can see that the three men are in animated discussion. Stanz's hands are hewing the air like axes. His mouth is going a mile a minute.

"—you mean, you can't get a name? I need a goddamned name!"

"I haven't got one," Gus's snitch replies.

"Then I'll damn well find someone who—"

"I guarantee you'll never get the name of the murderer," the snitch says, "either from me or anyone else."

Jack starts as he sees Stanz pull his service revolver. If it isn't for Gus's intervention, Jack feels certain Stanz would have shot the snitch. As it is, Stanz leaps at him, gets in a roundhouse right before Gus grabs him around the waist, holds him bodily in check.

"Get outta here," Gus growls. "Go on now!"

"That's right," Stanz howls in fury, "run away with your tail between your legs, you good-for-nothing nigger!"

Gus hurls Stanz to the ground, stands over him with the detective's gun in his huge hand. "I'll take alotta shit from you, but not this." He empties Stanz's service revolver, throws away the bullets. Then he drops the gun. "Don't come round my place no more, heah?"

As he stalks away, Stanz yells, "Don't expect to be paid for this!" And then as Gus squeezes behind the wheel of the Chevy and drives off, "Hey, are you leaving me here? What the fuck!"

GUS IS waiting for Jack in the side yard under the shadows of the big oak. Jack, rolling in with the lights off, doesn't see him until he steps out. Jack brakes and Gus looms up to the driver's window, which Jack rolls down.

"Since you got yo'self used t'drivin' the boat, you can follow me t' the

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