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Flannery_ A Life of Flannery O'Connor - Brad Gooch [212]

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“great mystic”: FOC to Betty Hester, February 4, 1961, CW, 1144.

326 “Jesuit mind”: FOC to Dr. T. R. Spivey, November 30, 1959, CW, 1114.

326 “parallels between Jung”: FOC to Dr. T. R. Spivey, March 16, 1960, HB, 383.

326 “his work is”: Brainard Cheney to FOC, October 7, 1962, CC, 157.

326American Scholar: “Outstanding Books, 1931–1961,” American Scholar 30, no. 4 (Autumn 1961): 618.

326 “too straitjacket”: Robert Giroux, in discussion with the author, November 13, 2003.

326 “I am here to bless”: John Kobler, “The Priest Who Haunts the Catholic World,” Saturday Evening Post 236 (October 12, 1963): 45.

326 “regrettable”: Ibid.

326 “depressing at first”: FOC to Roslyn Barnes, August 4, 1962, CW, 1171.

326 “canonized yet”: FOC to Brainard Cheney, October 31, 1963, CC, 181.

326 “If they are good”: FOC to Father James H. McCown, March 21, 1964, CW, 1204.

327 “Looka there”: De Vene Harrold, unpublished memoir, 1, “FOC Collection,” GCSU.

327 “He was finicky”: A Conyers monk, in discussion with the author, August 8, 2004.

327 “giggler”: FOC to Betty Hester, May 14, 1960, Emory.

328 “What interests me”: FOC to Betty Hester, April 30, 1960, HB, 394.

328 “murder stories”: FOC to Robert Giroux, September 29, 1960, CW, 1133.

328 “plainly grotesque”: FOC, “Introduction to a Memoir of Mary Ann,” CW, 824.

328 “Hawthorne said he didn’t write”: FOC to William Sessions, September 13, 1960, CW, 1131.

329 “Lately I have had a recurrent”: FOC, “The King of the Birds,” CW, 842.

329 “Some Thoughts on the Catholic Novelist”: The talk was published as “The Role of the Catholic Novelist,” Greyfriar 7 (1964): 9.

329 “met no duds”: FOC to Betty Hester, October 27, 1960, HB, 414.

329 “I sound pretty much like”: FOC to John Hawkes, October 9, 1960, CW, 1134.

330 “When Hawthorne said”: FOC, “Some Aspects of the Grotesque in Southern Fiction,” CW, 818.

330 “green with envy”: Elizabeth Bishop to Robert Lowell, May 5, 1959, Words in the Air, 300.

330 “strenuous”: FOC to Cecil Dawkins, November 8, 1960, CW, 1135.

330 “I helped Regina in the kitchen”: De Vene Harrold, unpublished memoir, 3.

330 “I call that really having”: FOC to Cecil Dawkins, November 8, 1960, CW, 1135.

330 “She and the Sisters”: FOC, “A Memoir of Mary Ann,” CW, 828.

331“Tout Ce Qui Monte Converge”: Giroux, “Introduction,” Collected Stories, xv.

331 “story called ‘Everything’”: FOC to Roslyn Barnes, March 29, 1961, HB, 438.

332 “King Kong”: FOC to Betty Hester, July 23, 1960, CW, 1130.

332 “the secularist-Baptist”: FOC to Maryat Lee, September 23, 1960, GCSU.

332 “All the rich widows”: FOC to Cecil Dawkins, November 8, 1960, CW, 1135.

332 Gossetts: Ralph C. Wood, Flannery O’Connor and the Christ-Haunted South (Grand Rapids, Mich.: William B. Eerdmans Publishing, 2004), 117.

332 Sessions has recalled a Thanksgiving: Ibid., 113.

333 “All my thoughts”: FOC to Betty Hester, May 4, 1957, HB, 218.

333 “a young college instructor”: John Howard Griffin, Black Like Me (New York: Signet Books, 1962), 134.

333 “If I had been one of them white”: FOC to Maryat Lee, May 21, 1964, CW, 1208.

333 “not in blackface”: FOC to Father James H. McCown, October 28, 1960, HB, 414.

334 “I would call Flannery”: A Conyers monk, in discussion with the author, August 8, 2004.

334 “She never said anything racist”: Leonard Mayhew, in discussion with the author, December 15, 2004.

334 “patronizing: he belonged”: J. M. Coetzee, “The Making of William Faulkner,” New York Review of Books 52, no. 6 (April 7, 2005): 22.

335 “No I can’t see James Baldwin”: FOC to Maryat Lee, April 25, 1959, CW, 1094–95.

335 “Cheers, Tarklux”: FOC to Maryat Lee, August 17, 1962, GCSU.

335 “Tarconstructed”: Ibid., October 31, 1963.

335 “colored”: Maryat Lee to FOC, March 16, 1960, GCSU.

335 “her Easter hat”: Ibid., April 24, 1960.

336 “I don’t understand them”: Katherine Fugin, Faye Rivard, and Margaret Sieh, “An Interview with Flannery O’Connor,” Con (Fall 1960): 59.

336 “from the inner workings”: Alice Walker, “Beyond the Peacock: The Reconstruction of Flannery O’Connor,” In Search of Our Mothers

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