Following the Equator [105]
fungus through the air with a purpose. Some of them fell into a crease in the back of the caterpillar's neck, and began to sprout and grow--for there was soil there--he had not washed his neck. The roots forced themselves down into the worm's person, and rearward along through its body, sucking up the creature's juices for sap; the worm slowly died, and turned to wood. And here he was now, a wooden caterpillar, with every detail of his former physique delicately and exactly preserved and perpetuated, and with that stem standing up out of him for his monument--monument commemorative of his own loyalty and of Nature's unfair return for it.
Nature is always acting like that. Mrs. X. said (of course) that the caterpillar was not conscious and didn't suffer. She should have known better. No caterpillar can deceive Nature. If this one couldn't suffer, Nature would have known it and would have hunted up another caterpillar. Not that she would have let this one go, merely because it was defective. No. She would have waited and let him turn into a night-moth; and then fried him in the candle.
Nature cakes a fish's eyes over with parasites, so that it shan't be able to avoid its enemies or find its food. She sends parasites into a star- fish's system, which clog up its prongs and swell them and make them so uncomfortable that the poor creature delivers itself from the prong to ease its misery; and presently it has to part with another prong for the sake of comfort, and finally with a third. If it re-grows the prongs, the parasite returns and the same thing is repeated. And finally, when the ability to reproduce prongs is lost through age, that poor old star- fish can't get around any more, and so it dies of starvation.
In Australia is prevalent a horrible disease due to an "unperfected tapeworm." Unperfected--that is what they call it, I do not know why, for it transacts business just as well as if it were finished and frescoed and gilded, and all that.
November 9. To the museum and public picture gallery with the president of the Society of Artists. Some fine pictures there, lent by the S. of A. several of them they bought, the others came to them by gift. Next, to the gallery of the S. of A.--annual exhibition--just opened. Fine. Think of a town like this having two such collections as this, and a Society of Artists. It is so all over Australasia. If it were a monarchy one might understand it. I mean an absolute monarchy, where it isn't necessary to vote money, but take it. Then art flourishes. But these colonies are republics--republics with a wide suffrage; voters of both sexes, this one of New Zealand. In republics, neither the government nor the rich private citizen is much given to propagating art. All over Australasia pictures by famous European artists are bought for the public galleries by the State and by societies of citizens. Living citizens--not dead ones. They rob themselves to give, not their heirs. This S. of A. here owns its buildings built it by subscription.
CHAPTER XXXI.
The spirit of wrath--not the words--is the sin; and the spirit of wrath is cursing. We begin to swear before we can talk. --Pudd'nhead Wilson's New Calendar.
November 11. On the road. This train-express goes twenty and one-half miles an hour, schedule time; but it is fast enough, the outlook upon sea and land is so interesting, and the cars so comfortable. They are not English, and not American; they are the Swiss combination of the two. A narrow and railed porch along the side, where a person can walk up and down. A lavatory in each car. This is progress; this is nineteenth- century spirit. In New Zealand, these fast expresses run twice a week. It is well to know this if you want to be a bird and fly through the country at a 20-mile gait; otherwise you may start on one of the five wrong days, and then you will get a train that can't overtake its own shadow.
By contrast, these pleasant cars call to mind the branch-road cars at Maryborough, Australia,
Nature is always acting like that. Mrs. X. said (of course) that the caterpillar was not conscious and didn't suffer. She should have known better. No caterpillar can deceive Nature. If this one couldn't suffer, Nature would have known it and would have hunted up another caterpillar. Not that she would have let this one go, merely because it was defective. No. She would have waited and let him turn into a night-moth; and then fried him in the candle.
Nature cakes a fish's eyes over with parasites, so that it shan't be able to avoid its enemies or find its food. She sends parasites into a star- fish's system, which clog up its prongs and swell them and make them so uncomfortable that the poor creature delivers itself from the prong to ease its misery; and presently it has to part with another prong for the sake of comfort, and finally with a third. If it re-grows the prongs, the parasite returns and the same thing is repeated. And finally, when the ability to reproduce prongs is lost through age, that poor old star- fish can't get around any more, and so it dies of starvation.
In Australia is prevalent a horrible disease due to an "unperfected tapeworm." Unperfected--that is what they call it, I do not know why, for it transacts business just as well as if it were finished and frescoed and gilded, and all that.
November 9. To the museum and public picture gallery with the president of the Society of Artists. Some fine pictures there, lent by the S. of A. several of them they bought, the others came to them by gift. Next, to the gallery of the S. of A.--annual exhibition--just opened. Fine. Think of a town like this having two such collections as this, and a Society of Artists. It is so all over Australasia. If it were a monarchy one might understand it. I mean an absolute monarchy, where it isn't necessary to vote money, but take it. Then art flourishes. But these colonies are republics--republics with a wide suffrage; voters of both sexes, this one of New Zealand. In republics, neither the government nor the rich private citizen is much given to propagating art. All over Australasia pictures by famous European artists are bought for the public galleries by the State and by societies of citizens. Living citizens--not dead ones. They rob themselves to give, not their heirs. This S. of A. here owns its buildings built it by subscription.
CHAPTER XXXI.
The spirit of wrath--not the words--is the sin; and the spirit of wrath is cursing. We begin to swear before we can talk. --Pudd'nhead Wilson's New Calendar.
November 11. On the road. This train-express goes twenty and one-half miles an hour, schedule time; but it is fast enough, the outlook upon sea and land is so interesting, and the cars so comfortable. They are not English, and not American; they are the Swiss combination of the two. A narrow and railed porch along the side, where a person can walk up and down. A lavatory in each car. This is progress; this is nineteenth- century spirit. In New Zealand, these fast expresses run twice a week. It is well to know this if you want to be a bird and fly through the country at a 20-mile gait; otherwise you may start on one of the five wrong days, and then you will get a train that can't overtake its own shadow.
By contrast, these pleasant cars call to mind the branch-road cars at Maryborough, Australia,