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Following the Equator [174]

By Root 5810 0
from the one shore to the other (barring the channel-interruptions)--a dry-shod ferry, you see. Long railway bridges are required for this sort of rivers, and India has them. You approach Allahabad by a very long one. It was now carrying us across the bed of the Jumna, a bed which did not seem to have been slept in for one while or more. It wasn't all river-bed--most of it was overflow ground.

Allahabad means "City of God." I get this from the books. From a printed curiosity--a letter written by one of those brave and confident Hindoo strugglers with the English tongue, called a "babu"--I got a more compressed translation: "Godville." It is perfectly correct, but that is the most that can be said for it.

We arrived in the forenoon, and short-handed; for Satan got left behind somewhere that morning, and did not overtake us until after nightfall. It seemed very peaceful without him. The world seemed asleep and dreaming.

I did not see the native town, I think. I do not remember why; for an incident connects it with the Great Mutiny, and that is enough to make any place interesting. But I saw the English part of the city. It is a town of wide avenues and noble distances, and is comely and alluring, and full of suggestions of comfort and leisure, and of the serenity which a good conscience buttressed by a sufficient bank account gives. The bungalows (dwellings) stand well back in the seclusion and privacy of large enclosed compounds (private grounds, as we should say) and in the shade and shelter of trees. Even the photographer and the prosperous merchant ply their industries in the elegant reserve of big compounds, and the citizens drive in thereupon their business occasions. And not in cabs--no; in the Indian cities cabs are for the drifting stranger; all the white citizens have private carriages; and each carriage has a flock of white-turbaned black footmen and drivers all over it. The vicinity of a lecture-hall looks like a snowstorm,--and makes the lecturer feel like an opera. India has many names, and they are correctly descriptive. It is the Land of Contradictions, the Land of Subtlety and Superstition, the Land of Wealth and Poverty, the Land of Splendor and Desolation, the Land of Plague and Famine, the Land of the Thug and the Poisoner, and of the Meek and the Patient, the Land of the Suttee, the Land of the Unreinstatable Widow, the Land where All Life is Holy, the Land of Cremation, the Land where the Vulture is a Grave and a Monument, the Land of the Multitudinous Gods; and if signs go for anything, it is the Land of the Private Carriage.

In Bombay the forewoman of a millinery shop came to the hotel in her private carriage to take the measure for a gown--not for me, but for another. She had come out to India to make a temporary stay, but was extending it indefinitely; indeed, she was purposing to end her days there. In London, she said, her work had been hard, her hours long; for economy's sake she had had to live in shabby rooms and far away from the shop, watch the pennies, deny herself many of the common comforts of life, restrict herself in effect to its bare necessities, eschew cabs, travel third-class by underground train to and from her work, swallowing coal-smoke and cinders all the way, and sometimes troubled with the society of men and women who were less desirable than the smoke and the cinders. But in Bombay, on almost any kind of wages, she could live in comfort, and keep her carriage, and have six servants in place of the woman-of-all-work she had had in her English home. Later, in Calcutta, I found that the Standard Oil clerks had small one-horse vehicles, and did no walking; and I was told that the clerks of the other large concerns there had the like equipment. But to return to Allahabad.

I was up at dawn, the next morning. In India the tourist's servant does not sleep in a room in the hotel, but rolls himself up head and ears in his blanket and stretches himself on the veranda, across the front of his master's door, and spends the night there. I don't believe
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