Folly Du Jour - Barbara Cleverly [40]
As they crossed the place de Clichy, he glanced at the billboards of the Gaumont Palace cinema with its imposing Beaux Arts façade. Le plus grand cinéma du monde, it announced. Today they were offering a matinée pro-gramme, a repeat showing of a pre-war thriller: Fantômas III. Le mort qui tue.
Fantômas, Part Three. The Murderous Corpse. One of a series of horror stories that had swept France. Joe was not a fan. He’d stopped reading them after the second book when he’d worked out that the Emperor of Evil whose sadistic exploits were recounted always escaped the law. At the end of every story one implausible bound set him free from the clutches of the tenacious policeman who’d vowed to bring him to justice. Joe lost patience with the good Inspector Juve. But he was a human like Joe, overworked, mortal and fallible and fighting a hydra-headed, super-human essence of wickedness. A completely implausible villain, for Joe. He much preferred Professor Moriarty. Though he had shown a tendency to survive unsurvivable plunges into waterfalls.
They attacked the hill by way of the rue Lepic, lined with market stalls. Progress up the cobbled streets was slow. They were impeded every few yards by two-man push-and-pull handcarts whose pushers and pullers stared in disdain at any motor vehicle attempting the steep incline, taking their time, demonstrating defiance. The worst blockage was caused by a two-wheeled cart being pulled along by an ambling old horse. His sole interest was in the contents of the nosebag he wore and he eventually ground to a halt outside a grocer’s shop. La Bordelaise looked prosperous, its windows bright with bottles of wine and oil, baskets of olives and dangling saucissons. Sticking his head out to assess the delay, Joe was caught by the scent of roasting coffee beans. On impulse he called to the driver to wait and dashed into the shop. A moment later he climbed back into the taxi with a fragrant bag of beans in his hand.
He paid off his taxi in the place du Tertre and looked about him, getting his bearings. He strolled off along the north side of the square, getting a feeling for his surroundings. More strident than it had been in its heyday half a century ago when Pissaro, Cézanne and Renoir had sat at their easels on exactly this spot, painting the crossroads scene. More self-consciously colourful, tricked out, alluring, completely aware that it had something valuable to sell. Itself. Montmartre was a tart. But people fell for her charms every time. And he was gladly allowing himself to be seduced.
The gaudy square was surrounded by poor streets. He turned left into one of them. Here, the children playing in the street were ragamuffins like the ones in the East End of London. Barefoot some of them, all scrawny but cheeky enough to shout rude comments at a stranger. He brushed aside offers to shine his shoes, take him to a jazz bar and other more dubious propositions. He skirted around ball games and dodged urchins swinging out across the pavements on ropes suspended from gas lamps – a dangerous game of bar skittles in which the passer-by risked losing his hat or, at the least, his dignity. Joe, in a moment of playfulness, could have wished he was wearing a top hat for them to aim for and quickly took himself in hand. Such a spurt of frivolity was not appropriate. He blamed it on the freshness of the air up here on the hilltop, the blossom, the new leaves, the wad of bills in his pocket and a feeling that all was possible. He gave the lads his police stare, put on a show of knowing exactly where he was going and they left him alone.
Every narrow street he looked down called to mind a scene already captured in paint or waiting to be captured. He turned a corner into the rue St-Vincent and found himself following a few paces behind a figure from the last century. In baggy black suit and wide-brimmed gypsy hat, guitar