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Folly Du Jour - Barbara Cleverly [98]

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to the flower seller. ‘Thank you, madame. I’ll take two dozen of those red roses from Provence.’

The old woman stood and moved a few yards to watch them as they went down to the river. When she saw what they were about, she shook her head in exasperation. Idiots! Mad foreigners! Had they nothing better to waste their money on? They’d taken up their position halfway along, leaning over the parapet, and, taking a dozen blooms each, were throwing the roses, one at a time, downstream into the current.

She pulled her shawl tighter about her shoulders and crossed herself. She watched on as the swirls of blood red eddied and sank. How would those fools know? That what they were doing brought bad luck? Flowers in the water spelled death.

Chapter Twenty-One


Bonnefoye had returned to the Quai des Orfèvres to pass on instructions for the fingerprint section and to check whether they’d made any progress with the Bertillon records of scarred villains. He’d been reluctant to let Joe turn up unaccompanied at the jazz club on the boulevard du Montparnasse, offering, as well as his own company, the presence of a team of undercover policemen in reserve.

Joe had reassured him. ‘Don’t be concerned . . . Just think of it as a visit between two old friends . . . Yes, I think I can get in. I’m prepared.’ He patted his pocket. ‘A bird has led me to the magical golden branch in the forest. I only have to brandish it and the gates to Avernus will swing open. As they did for Aeneas.’

Bonnefoye had rolled his eyes in exasperation. ‘The gates can swing shut as well. With you inside. And I’m not too certain that Aeneas had a very jolly time. Full of wailing ghosts, Avernus, if I remember rightly. If you’re not out by eight, I’m storming the place. I mean it! Now here’s what I’m offering . . .’

Joe waited until six o’clock when the crowds hurrying in through the door made him less conspicuous. He went to the bar and ordered a cocktail. He asked for a Manhattan and threw away the cherry. A Manhattan seemed the right choice. The combination of French vermouth and American bourbon, spiked with a dash of bitters, was in perfect harmony with this atmosphere. Throaty, fast Parisian arpeggios studded a base of slow-drawing transatlantic tones and the band also seemed to be an element in the blend. Setting the scene, in fact, Joe thought, as he listened eagerly. Excellent, as Bonnefoye had reported.

A black clarinettist doubling on tenor saxophone was playing the audience as cleverly as his instruments this evening and there was a jazz pianist of almost equal skill. A banjo player and a guitarist added a punchy stringed rhythm. Not an accordion within a mile, Joe thought happily. Generously, the instrumentalists were allowing each other to shine, turn and turn about, beating out a supporting and inspired accompaniment while one of the others starred. To everyone’s delight, the pianist suddenly grabbed the spotlight, soaring into flight with a section from George Gershwin’s Rhapsody in Blue and Joe almost forgot why he was there.

Damn George! If it hadn’t been for his officious nosiness, Joe could have been here, plying Heather Watkins with pink champagne, relaxing after a boring day at the Interpol conference, just a couple of tourists. She’d have been laughing at the new cap he’d bought and flattened on to his head, wearing it indoors like half the men in the room. Instead, he was crouching awkwardly, sitting slightly sideways on his bar stool to disguise the bulge of the Browning on his hip and hoping that no friendly American would fling an arm around him, encountering the handcuffs looped through his belt at the small of his back.

He glanced around at the crowd. Not many single men but enough to lend him cover. The one or two who appeared to be by themselves had probably chosen their solitary state, he reckoned. He saw two men line up at the bar, released from the company of their wives whom they had cheerfully waved off on to the dance floor in the arms of a couple of dark-haired, sinuous male dancers. What had Bonnefoye called them? Tangoing,

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