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Foreign Affairs - Alison Lurie [18]

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into outer joblessness. She is known to be eccentric and touchy, and is also a devout Anglophile. In any encounter Fred probably has more of a chance of alienating her than of pleasing her; and if he admits his depression and his dislike of London and of the British Museum, her opinion of him, whatever it may be now, will sink. On top of all this, he doesn’t know whether he should address her as Professor Miner, Miss Miner, Ms. Miner, Virginia, or Vinnie. In order to avoid offense, he accepted her invitation to a “drinks party” later this week, but he plans to call up and say he is sick—no, he corrects himself, ill—to say you are sick in this country means you are about to vomit.

Another reason for not disappointing Joe and Debby is that they will give him a free dinner—and since Debby is a competent if unimaginative cook, a good one. For the first time in his life, Fred is broke. He hadn’t known how expensive London would be, or how long it would take his salary checks to clear. The flat he and Roo had rented by mail costs too much for one person, and he has never learnt to cook. At first he ate out, in cheaper and cheaper restaurants and pubs, to the detriment of his budget and digestion; now he exists mainly on bread and cheese, canned beans, soup, boiled eggs, and paper cartons of orange juice. If his financial situation gets desperate, he can cable or write his parents for money, but this will suggest a childish improvidence. After all, for Christ’s sake, he is nearly twenty-nine and has a Ph.D.

“Have some more chocolate pie,” Debby says.

“No thanks.”

“It doesn’t taste right, does it?” A vertical dent appears in Debby’s round face, between her nearly invisible eyebrows.

“No, it was great, it’s just that—”

“The crust is different, I think,” says Joe, delivering this opinion with his usual philosophical detachment.

“Yeh, it’s kind of soggy,” Debby agrees. “And the filling’s much too sweet. Those were the wrong kind of cookies, and I couldn’t get real baking chocolate in any of the stores. But that’s how it is with everything here, you know?”

Fred does not answer. He should know by now, since Debby and Joe have spent most of the evening telling him, describing with warm indignation (Debby) or ironic resignation (Joe) their disillusion with England in general and London in particular. After making a big effort for over a month they have given up on the whole scene. They are also really pissed off at themselves for having been dumb enough to come here on leave from the adjacent Southern California colleges at which they teach, with a year-old baby on top of everything. They were warned, but they had been brainwashed by their admiration for British literature (Debby) and British philosophy (Joe). Why hadn’t they listened to their friends? they keep asking each other. Why hadn’t they gone to Italy or to Greece, or even stayed home in Claremont, for God’s sake? Britain might have been great in the past, all right, but in their opinion modern London sucks.

“For instance, the way they are in the stores. That man at the grocery was really disagreeable, as if I’d insulted him or something by saying he ought to carry unsweetened baking chocolate, and he was glad he’d never heard of it.”

“They’re in collusion. That’s what we decided,” Joe says. “They meet once a week in some local pub. ‘Okay, let’s get those dumb young American professors,’ they say, ‘the ones who were so bloody pleased with themselves for being in London.’” He laughs, then blows his nose.

“That’s why the plumber didn’t come when our kitchen sink clogged up. He refused to say when he could get here, or if he would ever even come at all.”

“Or like today, that woman at the dry cleaners. She looked at my pants as if they had a smell. ‘No, sir, we couldn’t do anything with those oily spots, one pound ten please.’” Joe’s imitation of a phony-refined British accent is marred by a natural tin ear and a bad cold.

“It’s so ugly, that’s what I think I mind the most,” Debby says. “Everything’s so gray and damp, and of course all the modern buildings are absolutely

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