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Fortune's rocks_ a novel - Anita Shreve [130]

By Root 744 0
beside the doors. Alfred Street, she discovers, is both commercial and residential, the ground level taken over by shops, the upper stories of the buildings left for housing. Today, nearly all of the windows of those upper stories are open, with people leaning on sills, fanning themselves, hoping for an errant breeze. Olympia finds the numbers 135 and 139 and deduces that 137 must belong to the narrow building without a number sandwiched in between, an ochre brick edifice next to a dental office. She checks her piece of paper, not quite daring to believe she has found the correct address. Wishing to remain as anonymous as possible, however, she quickly puts the paper in her purse and casts about for a suitable place to linger.

Two possibilities appear to her: a bench under an elm about twenty yards north of the house, and a bakery behind her that is advertising in its window tea cakes and jelly rolls. Deciding that the bakery might be stifling in the heat, Olympia makes her way instead to the bench.

Alfred Street is crowded with men and women trying to stand in the shade of the shop awnings, the men in collarless shirts, their braces hanging from their waists, and women in open-necked blouses with sleeves rolled. A vendor selling ice cream and tonic has attracted a considerable following of children, some of them barely dressed, who hover around the vendor, doubtless looking for a stray ice chip to suck on. Olympia, thirsty from her journey, is momentarily tempted to buy herself a cold drink, but the prospect of calling publicly to the vendor and thus drawing attention to herself seems unwise.

She wishes she had not worn her hat and that she had worn her white lawn, which is much the coolest dress she owns. As it is, she is awash in perspiration against the back of her thighs and inside her boots. She studies the signs in the windows across the street. TEETH. ARTIFICIAL SETS. $8.00, she reads. SILVER FILLINGS. 50 CENTS. Near the dentist’s office is a drugstore promoting, in a hasty scrawl on a cardboard sign, COLD SARSAPARILLA. All of the doors to the shops along the street have been thrown open, and Olympia can see many shop owners, identifiable by their white aprons, standing in the doorways, some smoking, some wiping sweat-stained necks with handkerchiefs.

Despite the extraordinary heat and the distractions of the street, however, Olympia keeps her eyes trained upon the small blue doorway that is poised over three stone steps nestled between the buildings of the druggist and the dentist. And as she does so, she becomes aware that a man in a suit of buff-and-brown check has taken a seat beside her. In the stagnant air, the smell of an unwashed body mixed with the cloying scent of cheap cologne, and this in turn overlaid with the smell of cigar smoke, nearly makes her gag. She moves an inch or two away. To Olympia’s dismay, the man leans even closer to her and asks her when the next trolley is. Without fully turning in his direction, she says that she is sorry, but she does not know.

“I, for one, am off to the beach,” he announces. “I cannot tolerate the heat of this foul city a minute longer.”

Olympia remains silent, unwilling to encourage the man in conversation.

“Let me make a proper introduction,” the man says. “Lyman Fogg, traveling purveyor of Boston Drug, ‘administered by the wife in coffee for the treatment of alcoholic excess in husbands.’ Our slogan, by the way.”

He extends his hand, and Olympia, who has just removed her gloves because of the heat, is forced to put her own in his. The man is absurdly overdressed in a woolen suit and top hat, which he wears at a rakish tilt and from which an oily black curl has fallen onto his forehead. With his free hand, he stabs his cigar into his mouth and takes a quick puff, the exhalation hanging as though suspended in the air in front of them. His coloring is remarkably florid, and Olympia observes that in addition to the nearly intolerable smell, the man is giving off heat as well.

“Powerful hot, is it not?” he asks. He takes off his hat, revealing a brim that

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