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Fortune's rocks_ a novel - Anita Shreve [31]

By Root 686 0
instant, he is gone.

She stands as if she had been hollowed out.

She hears her father calling to her. She waves to him. She wants to help; of course she does. She tries to run, but there is something wrong with her legs, as if her body were momentarily paralyzed. Her father beckons her impatiently on, and she can see his need is urgent. The sand is a drag against her feet, and her movements are sluggish, as they sometimes are in dreams. She tries to run, but she steps on her nightdress or her legs buckle, and she stumbles.

When she looks up, she can see that her father is walking toward her and saying her name. She shakes her head; she does not want him to see her like this. He bends over and puts his hand on her shoulder. His touch is foreign and strange, for they do not ever embrace, but the unfamiliar touch brings her to her senses. She rubs her eyes with the sleeve of her nightdress.

“Olympia?” he asks tentatively.

Awkwardly, she stands. It is almost daybreak now, and she can see the sinking vessel and the drama unfolding there more clearly than before.

“I am fine, Father,” she says. “I tripped on my nightdress.”

She slips her arms into the sleeves of the cloak Catherine has brought her.

“Tell me what you want me to do,” she says. “I want to help.”

• • •

In the early morning hours of June 23, 1899, seventy-four passengers and one ship’s officer from the Mary Dexter drown, while fifty-eight passengers and seven marine officers are brought across in the breeches buoy. Another man, a lifesaving officer from Ely, is lost in the rescue effort. The lifesaving boat itself, with nearly a dozen volunteers, pulls away from the unfortunate barque just before the vessel pitchpoles into the sea and splinters into wooden lathes against the rocks.

Despite the gravity of the wreck, the citizens of Fortune’s Rocks cannot help but be somewhat prideful about the success of the breeches buoy, which has not ever been tried before at the Ely station.

• • •

Because the house is an unusual one in that it was once a convent, there are still a great many cell-like rooms with beds and dressers on the second floor, several of which are occupied by help, but many of which are vacant. With the Haskells in residence, a kind of field hospital is established, and they become, her small family and their guests and servants, its officers: her father the retired general recommissioned for the event; John Haskell the medical officer with all the responsibilities and intimacies that such a position demands; Catherine Haskell the nursing sister in her simple gray dressing gown with the white apron she found in the kitchen; Josiah the veteran sergeant, excellent in a crisis, his organizational skills beyond compare; Philbrick the quartermaster, who takes upon himself the task of securing foodstuffs for the bursting household; Zachariah Cote a kind of AWOL soldier, who feigns sleep during the entire lifesaving effort and who seems to think his only contribution lies in sitting with Olympia’s distraught mother in her rooms; and Olympia the fledgling private initiated into the ranks of adulthood by default, there being few other able women present.

Olympia does not get any more sleep that night, since she and the others are employed in numerous tasks. Because no one amongst the Norwegian immigrants speaks even the most rudimentary English, nor any of the Americans Norwegian, Olympia is called upon to decipher requests and pleas by facial expressions alone and is often reduced to hand gestures for replies. As a large number of the Norwegian menfolk have been lost to the sea, many of the women are deranged by grief. One such woman, with chestnut hair and light gray eyes, has with her five children under the age of eleven. Her face, when she enters the house, is wild, as if she were still in mortal terror for her life, and she is at first unable to care for her children, who are bathed and dressed by Olympia and Catherine. It is frustrating to Olympia not to be able to speak even the crudest expressions of sympathy to the Norwegian woman, although

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