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Fortune's rocks_ a novel - Anita Shreve [50]

By Root 783 0
world.

Though she paces alone on the porch, or soaks herself as she walks the beach, or eats at her dining table, or converses, albeit distractedly, with her father, or tries to read John Greenleaf Whittier or to play backgammon with her mother, every moment is devoted to — no, claimed by — John Haskell, so that she has no conscious thought or unconscious dream that does not include him.

Her distraction does not go unnoticed, even though those around her do not know its cause. As the days pass, she grows less able (or less willing) to dissemble and to hide her feelings; and several times she comes perilously close to revealing the true reason for her agitation. Once or twice she dangerously mentions Haskell in conversation with her father, referring more often than is prudent to the volume Haskell has written or to the work that he is doing in Ely Falls. And at a party at which Rufus Philbrick and Zachariah Cote are both present, she contrives to steer the conversation to a discussion of the mills and of progressive reforms; for simply to speak the word mills or progressive aloud in their company is rewarding and even thrilling in a secretive way. She imagines, after she does so, however, that Mr. Cote regards her with an odd and thoughtful gaze and then with the faintest of smiles, all of which causes her to wonder if she is so transparent that her true thoughts can be read upon her face.

All around her, she can see that others study her, their puzzlement turning to a smile or to a frown, depending upon what they deduce from her behavior. Her father is careful with her: He can hardly accuse her of something for which he has no evidence. And she believes that though there was between them on the porch that night the barest recognition of waywardness, he has chosen willfully to dismiss it from his thoughts. Olympia thinks her mother may be more watchful than before, but since she seldom ventures farther than her own room, there is not a great deal for her to observe. If her parents think about her distraction at all consciously, she is certain they attribute it to that temperamental state that claims many young women of her age. Or else they imagine for her an innocent romance with a boy she has recently met. Or they think she is participating in a harmless flirtation in which she, in her naïveté, has doubtless invested too much significance.

Curiously, during this period of time, whenever they have visitors to the house or she happens to observe Josiah going about his chores or her father reading, she begins to notice certain masculine characteristics that she has not ever observed before — or never knew she observed: the inch or two of skin that sometimes will show itself between a man’s cuff and his wristbone when he reaches for a door, for example; or the graceful languor of men standing casually with their hands in their trouser pockets; or the way the power, the heart of the body, seems to reside just below the midpoint between the shoulders. And she is certain that though she has actually seen such masculine attributes before — that is to say, physically absorbed them with the eye — they have not previously produced conscious thoughts as they do in abundance during this spate of rainy days.

On the afternoon of the sixth day, Olympia is knitting in her room, an activity that is producing in her only a benumbed stupor. To rouse herself, she decides to make herself a cup of tea. As she descends the carpeted steps, she hears masculine voices from her father’s study. She halts in her progress, her heel poised against the riser, listening intently to discern the speakers. One voice, of course, is that of her father, and there is no mistaking the other. They are talking about a book of photographs.

Taking deliberate breaths, Olympia continues down the stairs and walks, with deceptively casual posture, into her father’s study, as if merely looking in to see who the company is. Her father glances over at her. He stops his speech mid-sentence. Haskell, whose back has been to her, turns. After a brief heartbeat of hesitation,

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