Foul Play [175]
and so might have imitated it; all the clerks in his office, to begin with. Nail the forger; that is your only chance."
"What, sir!" said Helen, with surprise, "if you saw the true handwriting of the person who wrote that forged note, should you recognize it?"
"Why not? It is difficult; but I have done it hundreds of times."
"Oh! Is forgery so common?"
"No. But I am in all the cases; and, besides, I do a great deal in a business that requires the same kind of expertise--anonymous letters. I detect assassins of that kind by the score. A gentleman or lady, down in the country, gets a poisoned arrow by the post, or perhaps a shower of them. They are always in disguised handwriting; those who receive them send them up to me, with writings of all the people they suspect. The disguise is generally more or less superficial; five or six unconscious habits remain below it, and often these undisguised habits are the true characteristics of the writer. And I'll tell you something curious, madam; it is quite common for all the suspected people to be innocent; and then I write back, 'Send me the handwriting of the people you suspect the least;' and among them I often find the assassin."
"Oh, Mr. Undercliff," said Helen, "you make my heart sick."
"Oh, it is a vile world, for that matter," said the expert; "and the country no better than the town, for all it looks so sweet with its green fields and purling rills. There they sow anonymous letters like barley. The very girls write anonymous letters that make my hair stand on end. Yes, it is a vile world."
"Don't you believe him, miss," said Mrs. Undercliff, appearing suddenly. Then, turning to her son, "How can you measure the world? You live in a little one of your own--a world of forgers and anonymous writers; you see so many of these, you fancy they are common as dirt; but they are only common to you because they all come your way."
"Oh, that is it, is it?" said the expert, doubtfully.
"Yes, that is it, Ned," said the old lady, quietly. Then after a pause she said "I want you to do your very best for this young lady."
"I always do," said the artist. "But how can I judge without materials? And she brings me none."
Mrs. Undercliff turned to Helen, and said: "Have you brought him nothing at all, no handwritings--in your bag?"
Then Helen sighed again. "I have no handwriting except Mr. Penfold's; but I have two printed reports of the trial."
"Printed reports," said the expert, "they are no use to me. Ah! here is an outline I took of the prisoner during the trial. You can read faces. Tell the lady whether he was guilty or not," and he handed the profile to his mother with an ironical look; not that he doubted her proficiency in the rival art of reading faces, but that he doubted the existence of the art.
Mrs. Undercliff took the profile, and, coloring slightly, said to Miss Rolleston: "It is living faces I profess to read. There I can see the movement of the eyes and other things that my son here has not studied." Then she scrutinized the profile. "It is a very handsome face," said she.
The expert chuckled. "There's a woman's judgment," said he. "Handsome! the fellow I got transported for life down at Exeter was an Adonis, and forged wills, bonds, and powers of attorney by the dozen."
"There's something noble about this face," said Mrs. Undercliff, ignoring the interruption, "and yet something simple. I think him more likely to be a cat's-paw than a felon." Having delivered this with a certain modest dignity, she laid the profile on the counter before Helen.
The expert had a wonderful eye and hand; it was a good thing for society he had elected to be gamekeeper instead of poacher, detector of forgery instead of forger. No photograph was ever truer than this outline. Helen started, and bowed her head over the sketch to conceal the strong and various emotions that swelled at sight of the portrait of her martyr. In vain; if the eyes were hidden, the tender bosom heaved, the graceful body quivered, and the tears fell fast upon the counter.
Mrs.
"What, sir!" said Helen, with surprise, "if you saw the true handwriting of the person who wrote that forged note, should you recognize it?"
"Why not? It is difficult; but I have done it hundreds of times."
"Oh! Is forgery so common?"
"No. But I am in all the cases; and, besides, I do a great deal in a business that requires the same kind of expertise--anonymous letters. I detect assassins of that kind by the score. A gentleman or lady, down in the country, gets a poisoned arrow by the post, or perhaps a shower of them. They are always in disguised handwriting; those who receive them send them up to me, with writings of all the people they suspect. The disguise is generally more or less superficial; five or six unconscious habits remain below it, and often these undisguised habits are the true characteristics of the writer. And I'll tell you something curious, madam; it is quite common for all the suspected people to be innocent; and then I write back, 'Send me the handwriting of the people you suspect the least;' and among them I often find the assassin."
"Oh, Mr. Undercliff," said Helen, "you make my heart sick."
"Oh, it is a vile world, for that matter," said the expert; "and the country no better than the town, for all it looks so sweet with its green fields and purling rills. There they sow anonymous letters like barley. The very girls write anonymous letters that make my hair stand on end. Yes, it is a vile world."
"Don't you believe him, miss," said Mrs. Undercliff, appearing suddenly. Then, turning to her son, "How can you measure the world? You live in a little one of your own--a world of forgers and anonymous writers; you see so many of these, you fancy they are common as dirt; but they are only common to you because they all come your way."
"Oh, that is it, is it?" said the expert, doubtfully.
"Yes, that is it, Ned," said the old lady, quietly. Then after a pause she said "I want you to do your very best for this young lady."
"I always do," said the artist. "But how can I judge without materials? And she brings me none."
Mrs. Undercliff turned to Helen, and said: "Have you brought him nothing at all, no handwritings--in your bag?"
Then Helen sighed again. "I have no handwriting except Mr. Penfold's; but I have two printed reports of the trial."
"Printed reports," said the expert, "they are no use to me. Ah! here is an outline I took of the prisoner during the trial. You can read faces. Tell the lady whether he was guilty or not," and he handed the profile to his mother with an ironical look; not that he doubted her proficiency in the rival art of reading faces, but that he doubted the existence of the art.
Mrs. Undercliff took the profile, and, coloring slightly, said to Miss Rolleston: "It is living faces I profess to read. There I can see the movement of the eyes and other things that my son here has not studied." Then she scrutinized the profile. "It is a very handsome face," said she.
The expert chuckled. "There's a woman's judgment," said he. "Handsome! the fellow I got transported for life down at Exeter was an Adonis, and forged wills, bonds, and powers of attorney by the dozen."
"There's something noble about this face," said Mrs. Undercliff, ignoring the interruption, "and yet something simple. I think him more likely to be a cat's-paw than a felon." Having delivered this with a certain modest dignity, she laid the profile on the counter before Helen.
The expert had a wonderful eye and hand; it was a good thing for society he had elected to be gamekeeper instead of poacher, detector of forgery instead of forger. No photograph was ever truer than this outline. Helen started, and bowed her head over the sketch to conceal the strong and various emotions that swelled at sight of the portrait of her martyr. In vain; if the eyes were hidden, the tender bosom heaved, the graceful body quivered, and the tears fell fast upon the counter.
Mrs.