Four Arthurian Romances [245]
his steed and draws back the distance of a bow-shot. Then they drive their horses toward each other at top speed, and strike each other so fiercely upon their resisting shields that they pierced and punctured them. But neither one is wounded, nor is the flesh touched in this first assault. They pass each other without delay, and come back at the top of their horses: speed to renew their blows on the strong, stout shields. Both of the knights are strong and brave, and both of the horses are stout and fast. So mighty are the blows they deal on the shields about their necks that the lances passed clean through, without breaking or splintering, until the cold steel reached their flesh. Each strikes the other with such force that both are borne to earth, and no breast-strap, girth, or stirrup could save them from falling backward over their saddle-bow, leaving the saddle without an occupant. The horses run riderless over hill and dale, but they kick and bite each other, thus showing their mortal hatred. As for the knights who fell to earth, they leaped up as quickly as possible and drew their swords, which were engraved with chiselled lettering. Holding their shields before the face, they strive to wound each other with their swords of steel. Lancelot stands in no fear of him, for he knew half as much again about fencing as did his antagonist, having learned it in his youth. Both dealt such blows on the shield slung from their necks, and upon their helmets barred with gold, that they crushed and damaged them. But Lancelot presses him hard and gives him a mighty blow upon his right arm which, though encased in mail, was unprotected by the shield, severing it with one clean stroke. And when he felt the loss of his right arm, he said that it should be dearly sold. If it is at all possible, he will not fail to exact the price; he is in such pain and wrath and rage that he is well-nigh beside himself, and he has a poor opinion of himself, if he cannot score on his rival now. He rushes at him with the intent to seize him, but Lancelot forestalls his plan, for with his trenchant sword he deals his body such a cut as he will not recover from until April and May be passed. He smashes his nose-guard against his teeth, breaking three of them in his mouth. And Meleagant's rage is such that he cannot speak or say a word; nor does he deign to cry for mercy, for his foolish heart holds tight in such constraint that even now it deludes him still. Lancelot approaches and, unlacing his helmet, cuts off his head. Never more will this man trouble him; it is all over with him as he falls dead. Not a soul who was present there felt any pity at the sight. The King and all the others there are jubilant and express their joy. Happier than they ever were before, they relieve Lancelot of his arms, and lead him away exultingly.
(Vv. 7120-7134.) My lords, if I should prolong my tale, it would be beside the purpose, and so I will conclude. Godefroi de Leigni, the clerk, has written the conclusion of "the Cart"; but let no one find fault with him for having embroidered on Chretien's theme, for it was done with the consent of Chretien who started it. Godefroi has finished it from the point where Lancelot was imprisoned in the tower. So much he wrote; but he would fain add nothing more, for fear of disfiguring the tale.
ENDNOTES: NOTE: Endnotes supplied by Prof. Foerster are indicated by "(F.)"; all other endnotes are supplied by W.W. Comfort.
(1) Marie, daughter of Louis VII. of France and Eleanor of Aquitaine, married in 1164, Henri I., Count of Champagne. On the poet's own statement below, she furnished him with the subject matter ("maitere") and the manner of treatment ("san") of this romance. (F.) (2) The situation of Camelot has not been certainly determined. Foerster places it in Somersetshire, while F. Paris identified it with Colchester in Essex. (F.) (3) The high value here set upon Kay by king Arthur is worth noting in view of the unfavourable light in which Chretien
(Vv. 7120-7134.) My lords, if I should prolong my tale, it would be beside the purpose, and so I will conclude. Godefroi de Leigni, the clerk, has written the conclusion of "the Cart"; but let no one find fault with him for having embroidered on Chretien's theme, for it was done with the consent of Chretien who started it. Godefroi has finished it from the point where Lancelot was imprisoned in the tower. So much he wrote; but he would fain add nothing more, for fear of disfiguring the tale.
ENDNOTES: NOTE: Endnotes supplied by Prof. Foerster are indicated by "(F.)"; all other endnotes are supplied by W.W. Comfort.
(1) Marie, daughter of Louis VII. of France and Eleanor of Aquitaine, married in 1164, Henri I., Count of Champagne. On the poet's own statement below, she furnished him with the subject matter ("maitere") and the manner of treatment ("san") of this romance. (F.) (2) The situation of Camelot has not been certainly determined. Foerster places it in Somersetshire, while F. Paris identified it with Colchester in Essex. (F.) (3) The high value here set upon Kay by king Arthur is worth noting in view of the unfavourable light in which Chretien