Four Arthurian Romances [62]
Erec's heart away. The tongue and the mouth of no man, however skilful, could describe the third, or the fourth, or the fifth part of the display which marked his coronation. So it is a mad enterprise I undertake in wishing to attempt to describe it. But since I must make the effort, come what may, I shall not fail to relate a part of it, as best I may.
(Vv. 6713-6809.) The King had two thrones of white ivory, well constructed and new, of one pattern and style. He who made them beyond a doubt was a very skilled and cunning craftsman. For so precisely did he make the two alike in height, in breadth, and in ornamentation, that you could nor look at them from every side to distinguish one from the other and find in one aught that was not in the other. There was no part of wood, but all of gold and fine ivory. Well were they carved with great skill, for the two corresponding sides of each bore the representation of a leopard, and the other two a dragon's shape. A knight named Bruiant of the Isles had made a gift and present of them to King Arthur and the Queen. King Arthur sat upon the one, and upon the other he made Erec sit, who was robed in watered silk. As we read in the story, we find the description of the robe, and in order that no one may say that I lie, I quote as my authority Macrobius, (44) who devoted himself to the description of it. Macrobius instructs me how to describe, according as I have found it in the book, the workmanship and the figures of the cloth. Four fairies had made it with great skill and mastery. (45) One represented there geometry, how it estimates and measures the extent of the heavens and the earth, so that nothing is lacking there; and then the depth and the height, and the width, and the length; then it estimates, besides, how broad and deep the sea is, and thus measures the whole world. Such was the work of the first fairy. And the second devoted her effort to the portrayal of arithmetic, and she strove hard to represent clearly how it wisely enumerates the days and the hours of time, and the water of the sea drop by drop, and then all the sand, and the stars one by one, knowing well how to tell the truth, and how many leaves there are in the woods: such is the skill of arithmetic that numbers have never deceived her, nor will she ever be in error when she wishes to apply her sense to them. The third design was that of music, with which all merriment finds itself in accord, songs and harmonies, and sounds of string: of harp, of Breton violin, and of viol. This piece of work was good and fine; for upon it were portrayed all the instruments and all the pastimes. The fourth, who next performed her task, executed a most excellent work; for the best of the arts she there portrayed. She undertook astronomy, which accomplishes so many marvels and draws inspiration from the stars, the moon, and the sun. Nowhere else does it seek counsel concerning aught which it has to do. They give it good and sure advice. Concerning whatever inquiry it make of them, whether in the past or in the future, they give it information without falsehood and without deception. This work was portrayed on the stuff of which Erec's robe was made, all worked and woven with thread of gold. The fur lining that was sewed within, belonged to some strange beasts whose heads are all white, and whose necks are as black as mulberries, and which have red backs and green bellies, and dark blue tail. These beasts live in India and they are called "barbiolets". They eat nothing but spices, cinnamon, and fresh cloves. What shall I tell you of the mantle? It was very rich and fine and handsome; it had four stones in the tassels--two chrysolites on one side, and two amethysts on the other, which were mounted in gold.
(Vv. 6810-6946.) As yet Enide had not come to the palace. When the King sees that she delays, he bids Gawain go quickly to bring her and the Queen. Gawain hastens and was not slow, and with him King Cadoalant and the generous King of Galloway. Guivret the Little accompanies them, followed
(Vv. 6713-6809.) The King had two thrones of white ivory, well constructed and new, of one pattern and style. He who made them beyond a doubt was a very skilled and cunning craftsman. For so precisely did he make the two alike in height, in breadth, and in ornamentation, that you could nor look at them from every side to distinguish one from the other and find in one aught that was not in the other. There was no part of wood, but all of gold and fine ivory. Well were they carved with great skill, for the two corresponding sides of each bore the representation of a leopard, and the other two a dragon's shape. A knight named Bruiant of the Isles had made a gift and present of them to King Arthur and the Queen. King Arthur sat upon the one, and upon the other he made Erec sit, who was robed in watered silk. As we read in the story, we find the description of the robe, and in order that no one may say that I lie, I quote as my authority Macrobius, (44) who devoted himself to the description of it. Macrobius instructs me how to describe, according as I have found it in the book, the workmanship and the figures of the cloth. Four fairies had made it with great skill and mastery. (45) One represented there geometry, how it estimates and measures the extent of the heavens and the earth, so that nothing is lacking there; and then the depth and the height, and the width, and the length; then it estimates, besides, how broad and deep the sea is, and thus measures the whole world. Such was the work of the first fairy. And the second devoted her effort to the portrayal of arithmetic, and she strove hard to represent clearly how it wisely enumerates the days and the hours of time, and the water of the sea drop by drop, and then all the sand, and the stars one by one, knowing well how to tell the truth, and how many leaves there are in the woods: such is the skill of arithmetic that numbers have never deceived her, nor will she ever be in error when she wishes to apply her sense to them. The third design was that of music, with which all merriment finds itself in accord, songs and harmonies, and sounds of string: of harp, of Breton violin, and of viol. This piece of work was good and fine; for upon it were portrayed all the instruments and all the pastimes. The fourth, who next performed her task, executed a most excellent work; for the best of the arts she there portrayed. She undertook astronomy, which accomplishes so many marvels and draws inspiration from the stars, the moon, and the sun. Nowhere else does it seek counsel concerning aught which it has to do. They give it good and sure advice. Concerning whatever inquiry it make of them, whether in the past or in the future, they give it information without falsehood and without deception. This work was portrayed on the stuff of which Erec's robe was made, all worked and woven with thread of gold. The fur lining that was sewed within, belonged to some strange beasts whose heads are all white, and whose necks are as black as mulberries, and which have red backs and green bellies, and dark blue tail. These beasts live in India and they are called "barbiolets". They eat nothing but spices, cinnamon, and fresh cloves. What shall I tell you of the mantle? It was very rich and fine and handsome; it had four stones in the tassels--two chrysolites on one side, and two amethysts on the other, which were mounted in gold.
(Vv. 6810-6946.) As yet Enide had not come to the palace. When the King sees that she delays, he bids Gawain go quickly to bring her and the Queen. Gawain hastens and was not slow, and with him King Cadoalant and the generous King of Galloway. Guivret the Little accompanies them, followed