Four Past Midnight - Stephen King [156]
'Mort?' Herb said cautiously, like a man who suspects a practical joke.
'At your service,' Mort said.
'What's this about your house?'
'I'll tell you, but only once. Take notes if you have to, because I plan to be back in my car before I freeze solid to this telephone.' He began with John Shooter and John Shooter's accusation. He finished with the conversation he'd had with Amy last night.
Herb, who had spent a fair amount of time as Mort and Amy's guest (and who had been entirely dismayed by their breakup, Mort guessed), expressed his surprise and sorrow at what had happened to the house in Derry. He asked if Mort had any idea who had done it. Mort said he didn't.
'Do you suspect this guy Shooter?' Herb asked. 'I understand the significance of the cat being killed only a short time before you woke up, but -'
'I guess it's technically possible, and I'm not ruling it out completely,' Mort said, 'but I doubt it like hell. Maybe it's only because I can't get my mind around the idea of a man burning down a twenty-four-room house in order to get rid of a magazine. But I think it's mostly because I met him. He really believes I stole his story, Herb. I mean, he has no doubts at all. His attitude when I told him I could show him proof was "Go ahead, motherfucker, make my day." '
'Still ... you called the police, didn't you?'
'Yeah, I made a call this morning,' Mort said, and while this statement was a bit disingenuous, it was not an out-and-out lie. He had made a call this morning. To Greg Carstairs. But if he told Herb Creekmore, whom he could visualize sitting in the living room of his New York apartment in a pair of natty tweed pants and a strap-style tee-shirt, that he intended to handle this himself, with only Greg to lend a hand, he doubted if Herb would understand. Herb was a good friend, but he was something of a stereotype: Civilized Man, latetwentieth-century model, urban and urbane. He was the sort of man who believed in counselling. The sort of man who believed in meditation and mediation. The sort of man who believed in discussion when reason was present, and the immediate delegation of the problem to Persons in Authority when it was absent. To Herb, the concept that sometimes a man has got to do what a man has got to do was one which had its place ... but its place was in movies starring Sylvester Stallone.
'Well, that's good.' Herb sounded relieved. 'You've got enough on your plate without worrying about some psycho from Mississippi. If they find him, what will you do? Have him charged with harassment?'
'I'd rather convince him to take his persecution act and put it on the road,' Mort said. His feeling of cheery optimism, so unwarranted but indubitably real, persisted. He supposed he would crash soon enough, but for the time being, he couldn't stop grinning. So he wiped his leaking nose with the cuff of his coat and went right on doing it. He had forgotten how good it could feel to have a grin pasted onto your kisser.
'How will you do that?'
'With your help, I hope. You've got files of my stuff, right?'
'Right, but - '
'Well, I need you to pull the June, 1980, issue of Ellery Queen's Mystery Magazine. That's the one with "Sowing Season" in it. I can't very well pull mine because of the fire, so - '
'I don't have it,' Herb said mildly.
'You don't?' Mort blinked. This was one thing he hadn't expected. 'Why not?'
'Because 1980 was two years before I came on board as your agent. I have at least one copy of everything I sold for you, but that's one of the stories you sold yourself.'
'Oh, shit!' In his mind's eye, Mort could see the acknowledgment for 'Sowing Season' in Everybody Drops the Dime. Most of the other acknowledgments contained the line, 'Reprinted by permission of the author and the author's agents, James and Creekmore.' The one for 'Sowing Season' (and two or three other stories in the collection) read only, 'Reprinted by permission of the author.'
'Sorry,' Herb said.
'Of course I sent it in myself - I remember writing