Four Past Midnight - Stephen King [206]
He was reluctant to do so, but I pressed him. Finally he told me that he didn't like to use the library because he worried about the Library Police. He knew there were no Library Police, he hastened to add, but it was one of those stories that burrowed down into your subconscious and just sort of lurked there. He had heard it from his Aunt Stephanie when he was seven or eight and much more gullible, and it had been lurking ever since.
I, of course, was delighted, because I had been afraid of the Library Police myself as a kid - the faceless enforcers who would actually come to your house
if you didn't bring your overdue books back. That would be bad enough ... but what if you couldn't find the books in question when those strange lawmen turned up? What then? What would they do to you? What might they take to make up for the missing volumes? It had been years since I'd thought of the Library Police (although not since childhood; I can clearly remember discussing them with Peter Straub and his son, Ben, six or eight years ago), but now all those old questions, both dreadful and somehow enticing, recurred.
I found myself musing on the Library Police over the next three or four days, and as I mused, I began to glimpse the outlines of the story which follows. This is the way stories usually happen for me, but the musing period usually lasts a lot longer than it did in this case. When I began, the story was titled 'The Library Police,' and I had no clear idea of where I was going with it. I thought it would probably be a funny story, sort of like the suburban nightmares the late Max Shulman used to bolt together. After all, the idea was funny, wasn't it? I mean, the Library Police! How absurd!
What I realized, however, was something I knew already: the fears of childhood have a hideous persistence. Writing is an act of self-hypnosis, and in that state a kind of total emotional recall often takes place and terrors which should have been long dead start to walk and talk again.
As I worked on this story, that began to happen to me. I knew, going in, that I had loved the library as a kid - why not? It was the only place a relatively poor kid like me could get all the books he wanted - but as I continued to write, I became reacquainted with a deeper truth: I had also feared it. I feared becoming lost in the dark stacks, I feared being forgotten in a dark corner of the reading room and ending up locked in for the night, I feared the old librarian with the blue hair and the cat's-eye glasses and the almost lipless mouth who would pinch the backs of your hands with her long, pale fingers and hiss 'Shhhh!' if you forgot where you were and started to talk too loud. And yes, I feared the Library Police.
What happened with a much longer work, a novel called Christine, began to happen here. About thirty pages in, the humor began to go out of the situation. And about fifty pages in, the whole story took a screaming left turn into the dark places I have travelled so often and which I still know so little about. Eventually I found the guy I was looking for, and managed to raise my head enough to look into his merciless silver eyes. I have tried to bring back a sketch of him for you, Constant Reader, but it may not be very good.
My hands were trembling quite badly when I made it, you see.
CHAPTER 1
The Stand-In
1
Everything, Sam Peebles decided later, was the fault of the goddamned acrobat. If the acrobat hadn't gotten drunk at exactly the wrong time, Sam never would have ended up in such trouble.
It is not bad enough, he thought with a perhaps justifiable bitterness, that life is like a narrow beam over an endless chasm, a beam we have to walk blindfolded. It's bad, but not bad enough. Sometimes, we also get pushed.
But that was later. First, before the Library Policeman, was the drunken acrobat.
2
In Junction