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By Root 1013 0

had twelve unused string ties with horrible clasps in a drawer of his bureau, to which this would be added - lucky thirteen. He had never worn any of them but was not allowed to throw them away. Aunt Hilda lived in Portland. She had never come to one of Kevin's or Meg's birthday parties, but she might decide to do just that one of these years. God knew she could; Portland was only fifty miles south of Castle Rock. And suppose she did come ... and asked to see Kevin in one of his other ties (or Meg in one of her other scarves, for that matter)? With some relatives, an excuse might do. Aunt Hilda, however, was different. Aunt Hilda presented a certain golden possibility at a point where two essential facts about her crossed: she was Rich, and she was Old.

Someday, Kevin's Mom was convinced, she might DO SOMETHING for Kevin and Meg. It was understood that the SOMETHING would probably come after Aunt Hilda finally kicked it, in the form of a clause in her will. In the meantime, it was thought wise to keep the horrible string ties and the equally horrible scarves. So this thirteenth string tie (on the clasp of which was a bird Kevin thought was a woodpecker) would join the others, and Kevin would write Aunt Hilda a thank-you note, not because his mother would insist on it and not because he thought or even cared that Aunt Hilda might DO

SOMETHING for him and his kid sister someday, but because he was a generally thoughtful boy with good habits and no real vices.

He thanked his family for all his gifts (his mother and father had, of course, supplied a number of lesser ones, although the Polaroid was clearly the centerpiece, and they were delighted with his delight), not forgetting to give Meg a kiss (she giggled and pretended to rub it off but her own delight was equally clear) and to tell her he was sure the mittens would come in handy on the ski team this winter - but most of his attention was reserved for the Polaroid box, and the extra film packs which had come with it.

He was a good sport about the birthday cake and the ice cream, although it was clear he was itching to get at the camera and try it out. And as soon as he decently could, he did.

That was when the trouble started.

He read the instruction booklet as thoroughly as his eagerness to begin would allow, then loaded the camera while the family watched with anticipation and unacknowledged dread (for some reason, the gifts which seem the most wanted are the ones which so often don't work). There was a little collective sigh - more puff than gust - when the camera obediently spat out the cardboard square on top of the film packet, just as the instruction booklet had promised it would.

There were two small dots, one red and one green, separated by a zig-zag lightning-bolt on the housing of the camera. When Kevin loaded the camera, the red light came on. It stayed on for a couple of seconds. The family watched in silent fascination as the Sun 660 sniffed for light. Then the red light went out and the green light began to blink rapidly.

'It's ready,' Kevin said, in the same straining-to-be-offhand-but-not-quite-making-it tone with which Neil Armstrong had reported his first step upon the surface of Luna. 'Why don't all you guys stand together?'

'I hate having my picture taken!' Meg cried, covering her face with the theatrical anxiety and pleasure which only sub-teenage girls and really bad actresses can manage.

'Come on, Meg,' Mr Delevan said.

'Don't be a goose, Meg,' Mrs Delevan said.

Meg dropped her hands (and her objections), and the three of them stood at the end of the table with the diminished birthday cake in the foreground.

Kevin looked through the viewfinder. 'Squeeze a little closer to Meg, Mom,' he said, motioning with his left hand. 'You too, Dad.' This time he motioned with his right.

'You're squishing me!' Meg said to her parents.

Kevin put his finger on the button which would fire the camera, then remembered a briefly glimpsed note in the instructions about how easy it was to cut off your subjects' heads in a photograph.