Four Past Midnight - Stephen King [346]
Which was just the way Pop liked it.
Why, he could have swapped one camera for the other right in front of the man instead and Delevan never would have seen a goddamned thing - that was how sure he was he had old Pop figured out.
But this was better.
You never ever asked Lady Luck for a date; she had a way of standing men up just when they needed her the most. But if she showed up on her own ... well, it was wise to drop whatever it was you were doing and take her out and wine her and dine her just as lavishly as you could. That was one bitch who always put out if you treated her right.
So he went quickly to the worktable, bent, and extracted the Polaroid 660 with the broken lens from the shadows underneath. He put it on the table, fished a key-ring from his pocket (with one quick glance over his shoulder to be sure neither of them had decided to come down after all), and selected the small key which opened the locked drawer that formed the entire left side of the table. In this deep drawer were a number of gold Krugerrands; a stamp album in which the least valuable stamp was worth six hundred dollars in the latest Scott Stamp Catalogue; a coin collection worth approximately nineteen thousand dollars; two dozen glossy photographs of a bleary-eyed woman having sexual congress with a Shetland pony; and an amount of cash totalling just over two thousand dollars.
The cash, which he stowed in a variety of tin cans, was Pop's loan-out money. John Delevan would have recognized the bills. They were all crumpled tens.
Pop deposited Kevin's Sun 660 in this drawer, locked it, and put his key-ring back in his pocket. Then he pushed the camera with the broken lens off the edge of the worktable (again) and cried out 'Well shit fire and save matches! Goddammit!' loud enough for them to hear.
Then he arranged his face in the proper expression of dismay and chagrin and waited for them to come running to see what had happened.
'Pop?' Kevin cried. 'Mr Merrill? Are you okay?'
'Ayuh,' he said. 'Didn't hurt nothin but my goddam pride. That camera's just bad luck, I guess. I bent over to open the tool-drawer, is what I mean to say, and I knocked the fuckin thing right off onto the floor. Only I guess it didn't come through s'well this time. I dunno if I should say I'm sorry or not. I mean, you was gonna -'
He held the camera apologetically out to Kevin, who took it, looked at the broken lens and shattered plastic of the housing around it. 'No, it's okay,' Kevin told him, turning the camera over in his hands - but he did not handle it in the same gingerly, tentative way he had before: as if it might really be constructed not of plastic and glass but some sort of explosive. 'I meant to bust it up, anyhow.'
'Guess I saved you the trouble.'
'I'd feel better -' Kevin began.
'Ayuh, ayuh. I feel the same way about mice. Laugh if you want to, but when I catch one in a trap and it's dead, I beat it with a broom anyway. just to be sure, is what I mean to say.'
Kevin smiled faintly, then looked at his father. 'He said he's got a chopping block out back, Dad -'
'Got a pretty good sledge in the shed, too, if ain't nobody took it.'
'Do you mind, Dad?'
'It's